Alex Gibney
Producer

Alex Gibney Net Worth

Alex Gibney is an American producer, director, and writer born on October 23, 1953 in New York City, New York. He is best known for his work on Enron: The Smartest Guys in the Room (2005), The Armstrong Lie (2013), and Taxi to the Dark Side (2007). He has been married to Anne Morgan DeBevoise since 1982 and they have three children.
Alex Gibney is a member of Producer

Age, Biography and Wiki

Who is it? Producer, Director, Writer
Birth Day October 23, 1953
Birth Place  New York City, New York, United States
Age 70 YEARS OLD
Birth Sign Scorpio
Alma mater Yale University UCLA Film School
Occupation Film director, producer
Years active 1980–present
Relatives Frank Gibney (father)

💰 Net worth: $8 Million (2024)

Alex Gibney, a prominent figure in the realm of film and documentary production, is estimated to have a net worth of $8 million in 2024. With his vast array of impressive talents, including directing, producing, and writing, Gibney has established himself as a force to be reckoned with in the United States. His contributions to the industry have earned him accolades and recognition, solidifying his position as a successful and influential figure. With a career that spans over decades, Gibney continues to captivate audiences with thought-provoking and compelling storytelling.

Famous Quotes:

[The Exterminating Angel is] dark, but it's also wickedly funny and mysterious in ways that can’t be reduced to a simple, analytical explanation. I always thought that's what's great about movies sometimes—the best movies have to be experienced; they can’t just be written about.

Biography/Timeline

2003

Gibney's most recent projects include work on The Armstrong Lie (about Lance Armstrong), Catching Hell (a contribution to ESPN's '30 for 30' series which looks at "The Inning" in Game 6 of the 2003 National League Championship Series) and Going Clear, a documentary about Scientology.

2007

Gibney's Taxi to the Dark Side premiered at the 2007 Tribeca Film Festival where it won Best Documentary. The film probes the killing of a taxi driver named Dilawar at Bagram Air Force Base in Afghanistan.

2008

On June 19, 2008, Gibney's company filed for arbitration, arguing that THINKFilm failed to properly distribute and promote his film Taxi to the Dark Side. He is suing for over a million dollars in damages. He stated that the film has grossed only $280,000.

2010

Gibney is President of Jigsaw Productions, which produces independent films, music documentaries, and TV mini-series. He has been honored by the Yale Film Studies program for his contributions to film culture. In 2010, Utne Reader listed Gibney as one of "25 Visionaries Who Are Changing Your World."

2013

His 2013 film We Steal Secrets: The Story of WikiLeaks, is a comprehensive look at WikiLeaks, Julian Assange, and Chelsea Manning. The Wikileaks organization itself has objected to the way Gibney portrayed it, and has posted a line-by-line rebuttal to the entire film.

2015

His works as Director include Going Clear: Scientology and the Prison of Belief (winner of three Emmys in 2015), We Steal Secrets: The Story of Wikileaks, Mea Maxima Culpa: Silence in the House of God (the winner of three primetime Emmy awards), Enron: The Smartest Guys in the Room (nominated in 2005 for Academy Award for Best Documentary Feature); Client 9: The Rise and Fall of Eliot Spitzer (short-listed in 2011 for the Academy Award for Best Documentary Feature); Casino Jack and the United States of Money; and Taxi to the Dark Side (winner of the 2007 Academy Award for Best Documentary Feature), focusing on a taxi driver in Afghanistan who was tortured and killed at Bagram Air Force Base in 2002.

Some Alex Gibney images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.