Almeida Junior
Realist Painters

Almeida Junior Net Worth

José Ferraz de Almeida Júnior, commonly known as Almeida Junior, was a Brazilian painter born in Itu, São Paulo, Brazil on May 8, 1850. He was the first artist of his time to create Realistic portraits in Brazil, and his works are seen as the foundation of modern art in the nation. His paintings, which bear a close resemblance to the works of other Realistic artists such as Gustave Courbet and Jean Francois Millet, depict rustic people in their ordinary chores, often conveying intense feelings of longing and despair. His portraits were highly praised for their intricate portrayal of both art and emotion, and his influence is still felt today as Brazil celebrates his birthday, May 8, as 'Fine Arts Day' or 'Dia do ArtistaPlastico'.
Almeida Junior is a member of Realist Painters

Age, Biography and Wiki

Who is it? Painter
Birth Day May 08, 1850
Birth Place Itu, São Paulo, Brazil, Brazilian
Age 169 YEARS OLD
Died On November 13, 1899 (aged 49)\nPiracicaba, Brazil
Birth Sign Gemini
Known for Painting
Notable work O Derrubador Brasileiro; Caipira Picando Fumo; A Partida da Monção; Saudade; Descanso do modelo
Movement Realistic

💰 Net worth: $6 Million (2024)

Almeida Junior, known as a prominent painter in Brazil, is anticipated to have a net worth of $6 million by 2024. Renowned for his artistic skills, Almeida Junior has made significant contributions to Brazilian art. His paintings often depict rural scenes, capturing the essence of the countryside and the simplicity of everyday life. With his unique artistic style, Almeida Junior has gained recognition and acclaim, which has translated into financial success. His estimated net worth showcases not only his artistic prowess but also the widespread appreciation for his work in the art world.

Biography/Timeline

1869

In 1869, he enrolled at the Academia Imperial de Belas Artes, where he studied with Victor Meirelles and Pedro Américo. His simple, country speech and manners reportedly were the source of much interest and, one might suppose, amusement. After graduating, he chose not to compete for a travel award to Europe, returning instead to Itu, and setting up a studio.

1876

He was apparently destined to see Europe, however. In 1876, during a tour of the São Paulo region, Emperor Pedro II saw Júnior's work, was impressed, and personally offered his financial support. Later that year, a Royal Decree awarded Júnior 300 Francs per month (USD $60/month) for the purpose of studying in Paris. He soon settled in Montmartre and enrolled at the École des Beaux-Arts, becoming one of the many students of Alex Andre Cabanel. While there, he participated in four of the Salons.

1882

He remained in Paris until 1882 then, after a brief trip to Italy, returned to Brazil and exhibited the works he had created during his absence. The following year, he opened a studio in São Paulo and gave lessons. He also held exclusive art exhibitions and executed portraits of notable people, ranging from coffee barons to Republican politicians. In 1884, he held a showing at the "Exposição Geral de Belas Artes" and was made a Knight in the Order of the Rose

1887

A year later, Victor Meirelles offered to give Júnior his position as Professor of History Painting at the Academy, but Júnior refused the offer, preferring to stay in São Paulo. From 1887 to 1896, he made three more trips to Europe. During this period, he would increasingly turn from Biblical and historical works in favor of regionalist themes, depicting the everyday life of the "caipiras" and leaving the Academic style behind while gradually approaching Naturalism. Despite these changes, his reputation at the Academy remained unchallenged and he received the Gold Medal there in 1898.

Some Almeida Junior images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.