Amy Seimetz
Actress

Amy Seimetz Net Worth

Amy Seimetz is an American actress, writer, and producer who first came to prominence producing and directing shorts and independent films. She has since become well-known for her performances in films such as Joe Swanberg's Alexander The Last, Lawrence Levine's Gabi On The Roof In July, Lena Dunham's Tiny Furniture, Kentucker Audley's Open Five, and David Robert Mitchell's Myth of the American Sleepover. Her performance in Adam Wingard's horror thriller A Horrible Way To Die won her the Best Actress award at Fantastic Fest. Seimetz is also known for her performance in the Megan Griffiths drama The Off-Hours, which premiered at the Sundance film festival in 2011. In 2012, she made her narrative feature directorial debut with her Floridian thriller Sun Don't Shine, which she also wrote, produced, and co-edited.
Amy Seimetz is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Writer, Producer
Birth Day November 25, 1981
Birth Place  Florida, United States
Age 42 YEARS OLD
Birth Sign Sagittarius
Occupation Actress, writer, producer, director, editor
Years active 2003–present

💰 Net worth: $3 Million (2024)

Amy Seimetz, a multi-talented individual known for her prowess in acting, writing, and producing, is set to amass a net worth of $3 million by 2024. Hailing from the United States, Seimetz has made significant contributions to the entertainment industry, captivating audiences with her remarkable performances. Her diverse skill set and dedication to her craft have undoubtedly played a pivotal role in her financial success. With numerous notable projects in her repertoire, Amy Seimetz continues to solidify her position as a highly esteemed and influential figure in the entertainment world.

Biography/Timeline

2012

The Hollywood Reporter singled Seimetz out as one of the breakouts of Sundance that year: "As a late-night truck-stop waitress and orphaned lost soul, Seimetz invests Off Hours' dead-end world of tiny tragedies with a hidden, hard-won strength." She appeared in Revenge for Jolly!. In 2012, she made her feature directorial debut with the Florida-based thriller Sun Don't Shine, which she also wrote, produced, and co-edited. The film premiered at South By Southwest to rave reviews. Indiewire wrote: "Her terrific directorial debut was a brilliant noir exercise with less mumbling than raw brawls. She pinned me to my Alamo Drafthouse seat and the film kept me there for the next 82 minutes."

2013

Seimetz is the star of Upstream Color and Pit Stop, both of which premiered at the 2013 Sundance Film Festival. In February, she was added as a series regular to AMC's series The Killing. In season 3, she plays Danette Leeds, a "hard-living, financially strapped single mother whose 14-year-old daughter goes missing".

2014

In June 2014, Starz announced that they had ordered a 13-episode anthology series of the film The Girlfriend Experience, co-written, co-directed, and executive produced by Seimetz and Lodge Kerrigan. This came after the film's creator Steven Soderbergh stated: "I think if I were going to run a studio I'd just be gathering the best filmmakers I could find and sort of let them do their thing within certain economic parameters. So I would call Shane Carruth, or Barry Jenkins or Amy Seimetz and I'd bring them in and go, OK, what do you want to do?" The series was later renewed for a second season, Seimetz will continue to produce, write, and direct episodes.

2016

As of 2016, Amy Seimetz is engaged to filmmaker Shane Carruth.

2017

In 2017, Seimetz appeared in Alien: Covenant, directed by Ridley Scott, and will have roles in Lean on Pete, directed by Andrew Haigh, and My Days of Mercy, opposite Ellen Page.

Some Amy Seimetz images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.