Andre Gide
Writers

Andre Gide Net Worth

Andre Gide was a French writer and moralist born in Paris in 1869. He was a controversial figure whose life and views on moral, political and religious matters were better known than his literary works. His works explored the variance and mergence between the two sides of his own personality, as well as social justice. Gide's literary works are inseparable from human life, as they reveal man's true form. He was modern and contemporary in his approach, providing lucidity and discursiveness to his writings. His definitions of art remain relevant and permanent. In politics, he changed his views after visiting the USSR in 1936.
Andre Gide is a member of Writers

Age, Biography and Wiki

Birth Day November 22, 1869
Birth Place Paris, France, French
Age 150 YEARS OLD
Died On 19 February 1951(1951-02-19) (aged 81)\nParis, France
Birth Sign Sagittarius
Resting place Cimetière de Cuverville, Cuverville, Seine-Maritime
Occupation Novelist, essayist, dramatist
Education Lycée Henri-IV
Notable works L'immoraliste (The Immoralist) La porte étroite (Strait Is the Gate) Les caves du Vatican (The Vatican Cellars) La Symphonie Pastorale (The Pastoral Symphony) Les faux-monnayeurs (The Counterfeiters)
Notable awards Nobel Prize in Literature 1947
Spouse Madeleine Rondeaux Gide
Children Catherine Gide

💰 Net worth: $19 Million (2024)

Andre Gide, a renowned writer in the French literary world, is estimated to have a net worth of $19 million by 2024. Gide is known for his influential contributions to French literature and his profound exploration of complex human emotions and moral dilemmas in his works. His immense talent and insightful writing style have garnered him immense recognition and success in the literary field, leading to his substantial net worth. Andre Gide's literary legacy continues to inspire and captivate readers worldwide.

Famous Quotes:

My faith in communism is like my faith in religion: it is a promise of salvation for mankind. If I have to lay my life down that it may succeed, I would do so without hesitation.

— André Gide, The God That Failed

Biography/Timeline

1869

Gide was born in Paris on 22 November 1869, into a middle-class Protestant family. His father was a Paris University professor of law who died in 1880. His uncle was the political Economist Charles Gide. His paternal family traced its roots back to Italy, with his ancestors, the Guido's, moving to France and other western and northern European countries after converting to Protestantism during the 16th century, due to persecution.

1891

Gide was brought up in isolated conditions in Normandy and became a prolific Writer at an early age, publishing his first novel, The Notebooks of André Walter (French: Les Cahiers d'André Walter), in 1891, at the age of twenty-one.

1893

In 1893 and 1894, Gide travelled in Northern Africa, and it was there that he came to accept his attraction to boys.

1895

In 1895, after his mother's death, he married his cousin Madeleine Rondeaux, but the marriage remained unconsummated. In 1896, he became mayor of La Roque-Baignard, a commune in Normandy.

1901

In 1901, Gide rented the property Maderia in St. Brélade's Bay and lived there while residing in Jersey. This period, 1901–07, is commonly seen as a time of apathy and turmoil for him.

1908

In 1908, Gide helped found the literary magazine Nouvelle Revue Française (The New French Review). In 1916, Marc Allégret, only 15 years old, became his lover. Marc was the son – one of five children – of Elie Allégret, who years before had been hired by Gide's mother to tutor her son in light of his weak grades in school, after which he and Gide became fast friends; Allégret was best man at Gide's wedding. Gide and Marc fled to London, in retribution for which his wife burned all his correspondence – "the best part of myself," he later commented. In 1918, he met Dorothy Bussy, who was his friend for over thirty years and translated many of his works into English.

1920

In the 1920s, Gide became an inspiration for Writers such as Albert Camus and Jean-Paul Sartre. In 1923, he published a book on Fyodor Dostoyevsky; however, when he defended homosexuality in the public edition of Corydon (1924) he received widespread condemnation. He later considered this his most important work.

1923

In 1923, he sired a daughter, Catherine, by Elisabeth van Rysselberghe, a woman who was much younger than he. He had known her for a long time, as she was the daughter of his closest female friend, Maria Monnom, the wife of his friend the Belgian neo-impressionist Painter Théo van Rysselberghe. This caused the only crisis in the long-standing relationship between Allégret and Gide and damaged the relation with van Rysselberghe. This was possibly Gide's only sexual liaison with a woman, and it was brief in the extreme. Catherine became his only descendant by blood. He liked to call Elisabeth "La Dame Blanche" ("The White Lady"). Elisabeth eventually left her husband to move to Paris and manage the practical aspects of Gide's life (they had adjoining apartments built for each on the rue Vavin). She worshiped him, but evidently they no longer had a sexual relationship. Gide's legal wife, Madeleine, died in 1938. Later he explored their unconsummated marriage in his memoir of Madeleine, Et Nunc Manet in Te.

1924

In 1924, he published an autobiography, If it Die... (French: Si le grain ne meurt).

1925

After 1925, he began to campaign for more humane conditions for convicted Criminals.

1926

From July 1926 to May 1927, he travelled through the French Equatorial Africa colony with his lover Marc Allégret. Gide went successively to Middle Congo (now the Republic of the Congo), Ubangi-Shari (now the Central African Republic), briefly to Chad and then to Cameroon before returning to France. He related his peregrinations in a journal called Travels in the Congo (French: Voyage au Congo) and Return from Chad (French: Retour du Tchad). In this published journal, he criticized the behavior of French Business interests in the Congo and inspired reform. In particular, he strongly criticized the Large Concessions regime (French: régime des Grandes Concessions), i.e., a regime according to which part of the colony was conceded to French companies and where these companies could exploit all of the area's natural resources, in particular rubber. He related, for instance, how natives were forced to leave their village for several weeks to collect rubber in the forest, and went as far as comparing their exploitation to slavery. The book had important influence on anti-colonialism movements in France and helped re-evaluate the impact of colonialism.

1930

"Each volume that Gide wrote was intended to challenge itself, what had preceded it, and what could conceivably follow it. This characteristic, according to Daniel Moutote in his Cahiers de André Gide essay, is what makes Gide's work 'essentially modern': the 'perpetual renewal of the values by which one lives.'" Gide wrote in his Journal in 1930: "The only drama that really interests me and that I should always be willing to depict anew, is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, to his integration. Most often the obstacle is within him. And all the rest is merely accidental."

1936

Known for his fiction as well as his autobiographical works, Gide exposes to public view the conflict and eventual reconciliation of the two sides of his personality, split apart by a straitlaced traducing of education and a narrow social moralism. Gide's work can be seen as an investigation of freedom and empowerment in the face of moralistic and puritanical constraints, and centres on his continuous effort to achieve intellectual honesty. His self-exploratory texts reflect his search of how to be fully oneself, including owning one's sexual nature, without at the same time betraying one's values. His political activity is informed by the same ethos, as indicated by his repudiation of communism after his 1936 voyage to the USSR.

1939

In 1939, Gide became the first living author to be published in the prestigious Bibliothèque de la Pléiade.

1946

Gide's surviving letters run into the thousands. But it is the Journal that Sheridan calls "the pre-eminently Gidean mode of expression." "His first novel emerged from Gide's own journal, and many of the first-person narratives read more or less like journals. In Les faux-monnayeurs, Edouard's journal provides an alternative voice to the narrator's." "In 1946, when Pierre Herbert asked Gide which of his books he would choose if only one were to survive," Gide replied, 'I think it would be my Journal.'" Beginning at the age of eighteen or nineteen, Gide kept a journal all of his life and when these were first made available to the public, they ran to thirteen hundred pages.

1951

He left France for Africa in 1942 and lived in Tunis until the end of World War II. In 1947, he received the Nobel Prize in Literature. He devoted much of his last years to publishing his Journal. Gide died in Paris on 19 February 1951. The Roman Catholic Church placed his works on the Index of Forbidden Books in 1952.

2013

André Gide's writings spanned many genres – "As a master of prose narrative, occasional dramatist and translator, literary critic, letter Writer, Essayist, and diarist, André Gide provided twentieth-century French literature with one of its most intriguing examples of the man of letters."

2019

As a whole, "The works of André Gide reveal his passionate revolt against the restraints and conventions inherited from 19th-century France. He sought to uncover the authentic self beneath its contradictory masks."

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About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.