Annette Andre
Actress

Annette Andre Net Worth

Annette Andre is an Australian actress and soundtrack best known for her work on British television throughout the 1960s, 1970s and 1980s. She began as a ballet dancer and moved on to radio, theatre and TV work in Australia before settling in London. She starred in the classic TV show Randall and Hopkirk (Deceased) (1969) and made many guest appearances on popular shows such as The Avengers (1961), The Saint (1962), The Prisoner (1967), and Adam Adamant Lives! (1966). She also starred in the 1966 film version of the Broadway musical A Funny Thing Happened on the Way to the Forum (1966). During the 1970s and 1980s, she appeared on the soap opera Crossroads (1964) and returned to Australia to play in Taurus Rising (1982) and Prisoner (1979), Cell Block H. She has since semi-retired from acting and devotes her time to animal welfare issues with her husband. She is currently writing her autobiography for publication next year and lives in upstate New York with her daughter and two grandchildren.
Annette Andre is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Soundtrack
Birth Day June 24, 1939
Birth Place  Sydney, New South Wales, Australia, Australia
Age 84 YEARS OLD
Birth Sign Cancer
Years active 1960–1988
Spouse(s) Arthur Weingarten (1989–?)

💰 Net worth: $1.3 Million (2024)

Annette Andre, the famed Australian actress and talented soundtrack artist, is estimated to have a net worth of around $1.3 million in the year 2024. With her impressive achievements in the entertainment industry, it comes as no surprise that she has amassed such wealth. Annette has captivated audiences with her remarkable performances and contributions to numerous soundtracks. Her immense talent and dedication have undoubtedly played a significant role in her financial success, solidifying her status as a respected figure in the industry.

Biography/Timeline

1964

She began work as a Dancer and singer in radio and also worked in theatre and television in Australia. Her first film in Britain was This Is My Street (1964), and her other film credits include The Heroes of Telemark (1965), He Who Rides a Tiger (1965), Up Jumped a Swagman (1965) with Frank Ifield, and the Charlie Drake comedy Mister Ten Per Cent (1967). She also played Philia, a beautiful virgin concubine from the house of procurer Marcus Lycus (Phil Silvers) in the 1966 film version of the Broadway musical A Funny Thing Happened on the Way to the Forum. She played in the stage musical Vanity Fair in London's West End.

1969

Her longest running role was as Marty Hopkirk's widow Jeannie Hopkirk in the ITC series Randall and Hopkirk (Deceased) (1969–70). She also made guest appearances in other shows such as Whiplash, The Avengers, The Saint, Adam Adam Ant Lives!, The Troubleshooters, The Baron and The Prisoner.

1970

During the 1970s, Andre guest starred in episodes of The Persuaders!, The New Avengers and Return of the Saint. In the 1980s, she appeared in the soap opera Crossroads as well as returning to Australia to play Jennifer Brent in Taurus Rising and Camilla Wells in Prisoner (retitled Prisoner: Cell Block H in the US and UK).

1985

During 1985 and 1986, she appeared onstage in London's West End in the mystery thriller The Business of Murder at the Mayfair Theatre.

2007

Andre is now semi-retired from acting, and devotes much of her time to animal welfare issues. She spearheads the new BFF Support Group and, with her Producer husband Arthur Weingarten, works closely with Virginia McKenna of the Zoo Check campaign. She made one of her rare appearances at the Mid-Atlantic Nostalgia Convention in Aberdeen, Maryland in September 2007.

Some Annette Andre images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.