Aristophanes
Writers

Aristophanes Net Worth

Aristophanes was a renowned Greek comic playwright and poet born in Classical Athens. He wrote forty plays, of which eleven are still extant, and fragments of some of his other plays. This has provided evidence of a genre of comic drama known as Old Comedy. Aristophanes is known as the Father of Comedy and the Prince of Ancient Comedy, and is credited with recreating the life of ancient Athens more convincingly than any other author. His important extant plays include The Acharnians (425 BC), The Knights (424 BC), The Clouds (423 BC), The Wasps (422 BC), Peace (421 BC), The Birds (414 BC), Lysistrata (411 BC), The Frogs (405 BC) and Wealth II (388 BC).
Aristophanes is a member of Writers

Age, Biography and Wiki

Who is it? Playwright
Birth Place Classical Athens, Greek
Died On c. 386 BC\nDelphi
Occupation Playwright (comedy)
Years active 427 BC – 386 BC
Known for Playwright and director of Old Comedy
Notable work The Clouds (423 BC) The Wasps (422 BC) The Birds (414 BC) Lysistrata (411 BC) The Women at the Thesmophoria Festival (411 BC) The Frogs (405 BC)

💰 Net worth: $900,000 (2024)

Aristophanes, renowned as a prominent playwright in Greek history, is anticipated to have a considerable net worth of approximately $900,000 by 2024. As an acclaimed figure in ancient Greek theater, Aristophanes crafted numerous comedic and satirical plays that captivated audiences during his time. With his exceptional wit and artistic brilliance, Aristophanes created works that not only entertained but also conveyed social and political commentary. His enduring legacy as a playwright continues to influence and inspire contemporary theater-makers around the world, solidifying his position as a celebrated literary figure of ancient Greece.

Biography/Timeline

1528

Latin translations of the plays by Andreas Divus (Venice 1528) were circulated widely throughout Europe in the Renaissance and these were soon followed by translations and adaptations in modern languages. Racine, for Example, drew Les Plaideurs (1668) from The Wasps. Goethe (who turned to Aristophanes for a warmer and more vivid form of comedy than he could derive from readings of Terence and Plautus) adapted a short play Die Vögel from The Birds for performance in Weimar. Aristophanes has appealed to both conservatives and radicals in the nineteenth and twentieth centuries — Anatoly Lunacharsky, first Commissar of Enlightenment for the USSR in 1917, declared that the ancient dramatist would have a permanent place in proletarian theatre and yet conservative, Prussian intellectuals interpreted Aristophanes as a satirical opponent of social reform. The avant-gardist stage-director Karolos Koun directed a version of The Birds under the Acropolis in 1959 that established a trend in modern Greek history of breaking taboos through the voice of Aristophanes.

2014

The tragic dramatists, Sophocles and Euripides, died near the end of the Peloponnesian War and the art of tragedy thereafter ceased to develop, yet comedy did continue to evolve after the defeat of Athens and it is possible that it did so because, in Aristophanes, it had a master craftsman who lived long enough to help usher it into a new age. Indeed, according to one ancient source (Platonius, c.9th Century AD), one of Aristophanes's last plays, Aioliskon, had neither a parabasis nor any choral lyrics (making it a type of Middle Comedy), while Kolakos anticipated all the elements of New Comedy, including a rape and a recognition scene. Aristophanes seems to have had some appreciation of his formative role in the development of comedy, as indicated by his comment in Clouds that his audience would be judged by other times according to its reception of his plays. Clouds was awarded third (i.e. last) place after its original performance and the text that has come down to the modern age was a subsequent draft that Aristophanes intended to be read rather than acted. The circulation of his plays in manuscript extended their influence beyond the original audience, over whom in fact they seem to have had little or no practical influence: they did not affect the career of Cleon, they failed to persuade the Athenians to pursue an honourable peace with Sparta and it is not clear that they were instrumental in the trial and execution of Socrates, whose death probably resulted from public animosity towards the philosopher's disgraced associates (such as Alcibiades), exacerbated of course by his own intransigence during the trial. The plays, in manuscript form, have been put to some surprising uses — as indicated earlier, they were used in the study of rhetoric on the recommendation of Quintilian and by students of the Attic dialect in the Fourth and Fifth Centuries AD. It is possible that Plato sent copies of the plays to Dionysius of Syracuse so that he might learn about Athenian life and government.

2019

The chorus was mainly used by Aristophanes as a defense against rhetoric and would often talk about topics such as the civic duty of those who were educated in classical teachings. In Aristophanes’ opinion it was the job of those educated adults to protect the public from the deception and to stand as a beacon of light for those who were more gullible than others. One of the main reasons why Aristophanes was so against the sophists came into existence from the requirements listed by the Leaders of the organization. Money was essential, which meant that roughly all of the pupils studying with the sophists came from upper-class backgrounds and excluded the rest of the polis. Aristophanes believed that education and knowledge was a public Service and that anything that excluded willing minds was nothing but an abomination. He concludes that all politicians that study rhetoric must have "doubtful citizenships, unspeakable morals, and too much arrogance”

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About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.