Chester Morris
Actor

Chester Morris Net Worth

Chester Morris was born in New York City in 1901 and made his Broadway debut in 1918. He made his movie debut in 1917, but it wasn't until the transition to sound films that he became a movie actor. He was nominated for an Academy Award for Best Actor in 1930 for his first talking picture, Alibi. He was a star in the 1930s, but his star dimmed by the end of the decade. In 1941, he revived his career with the Boston Blackie series at Columbia Pictures. He continued to work in film and television until his death in 1970.
Chester Morris is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Soundtrack
Birth Day February 16, 1901
Birth Place  New York City, New York, United States
Age 119 YEARS OLD
Died On September 11, 1970(1970-09-11) (aged 69)\nNew Hope, Pennsylvania, U.S.
Birth Sign Pisces
Cause of death Barbiturate overdose
Occupation Actor
Years active 1917–1970
Spouse(s) Suzanne Kilbourne (married 1926–1940) Lillian Kenton Barker (married 1940–1970)
Children 3
Parent(s) William Morris Etta Hawkins

💰 Net worth: $1.1 Million (2024)

Chester Morris, a renowned actor and soundtrack artist hailing from the United States, has amassed an estimated net worth of $1.1 million as of 2024. With a career spanning several decades, Morris has captivated audiences with his exceptional talent and versatility. He has appeared in numerous films and television shows, leaving an indelible mark on the entertainment industry. From his early beginnings to his notable contributions, Chester Morris continues to be celebrated for his immense success and enduring legacy in the world of acting and music.

Biography/Timeline

1917

Chester Morris was born John Chester Brooks Morris in New York City, one of four children of Broadway stage actor william Morris and stage Comedian Etta Hawkins. Morris dropped out of school and began his Broadway career at 15 years old opposite Lionel Barrymore's The Copperhead. He made his film debut in the silent comedy-drama film An Amateur Orphan (1917).

1920

After appearing in several more Broadway productions in the early 1920s, Morris joined his parents, sister, and two brothers, Gordon and Adrian (who also became a film actor), on the vaudeville circuit. The family's act consisted of a comedy Sketch entitled "The Horrors of Home". Morris toured with his family for two years before returning to Broadway with roles in The Home Towners (1926) and Yellow (1927). While appearing in the 1927 play Crime, Morris was spotted by a talent agent and was signed to a film contract.

1926

Morris was married twice. He first married Suzanne Kilbourne on November 8, 1926. They had two children, John Brooks and Cynthia. Kilbourne was granted an interlocutory divorce in November 1939 which was finalized on November 26, 1940.

1929

Morris made his sound film debut in the 1929 film Alibi, for which he was nominated for an Academy Award for Best Actor. He followed with roles in Woman Trap (1929), The Case of Sergeant Grischa (1930) and The Divorcee, starring Norma Shearer in 1930. Later that year, Morris was cast as one of the leads (with Wallace Beery and Robert Montgomery) in the MGM prison drama The Big House. For the next two years, he worked steadily in films for United Artists and MGM and was cast opposite Jean Harlow in the 1932 comedy-drama Red-Headed Woman.

1930

By the mid- to late 1930s, Morris' popularity had begun to wane and he was cast as the lead actor such B-movies as Smashing the Rackets (1938) and Five Came Back (1939). In 1941, Morris' career was revived when he was cast as criminal-turned-detective Boston Blackie. Morris appeared in a total of 14 Boston Blackie films for Columbia Pictures, beginning with Meet Boston Blackie. He reprised the role of Boston Blackie for the radio series in 1944. During World War II, Morris performed magic tricks in over 350 USO shows. He had been practicing magic since the age of 12 and was considered a top amateur Magician.

1940

On November 30, 1940, Morris married socialite Lillian Kenton Barker at the home of actor Frank Morgan. They had a son, Kenton, born in 1944. The couple remained married until Morris' death in 1970.

1949

While appearing in the Boston Blackie series, Morris continued to appear in roles in other films mostly for Pine-Thomas films for Paramount Pictures. After appearing in 1949's Boston Blackie's Chinese Venture, the final Boston Blackie film, Morris largely retired from films. During the 1950s, he focused mainly on television and theatre, returning to Broadway in 1954 in the comedy The Fifth Season. During this time, Morris also appeared in guest spots for the anthology series Cameo Theatre, Lights Out, Tales of Tomorrow, Alcoa Premiere, Suspense, Danger, Robert Montgomery Presents, The Web, Phillip Morris Playhouse, Studio One, and Kraft Television Theatre. He briefly returned to films in 1955 with a role in the prison drama Unchained, followed by a role in the 1956 science-fiction horror film The She-Creature. In 1960, he had recurring role as Detective Lieutenant Max Ritter in the CBS summer replacement series, Diagnosis: Unknown. The series lasted a year, after which Morris appeared in the NBC television film A String of Beads. In November 1960, he returned to Broadway as Senator Bob Munson in the stage adaptation of the 1959 novel Advise and Consent. Morris remained with the production until it closed in May 1961. In October, he reprised his role for the touring production.

1960

In the early to mid-1960s, Morris appeared in guest spots for the dramas Route 66, The Defenders, and Dr. Kildare. In 1965, he replaced Jack Albertson in the Broadway production of The Subject Was Roses. He reprised his role in the play for the touring production in 1966.

1968

In mid-1968, Morris starred opposite Barbara Britton in the touring production of Where Did We Go Wrong?. After the production wrapped, he returned to his home in Manhattan, where his health began to decline. Morris was later diagnosed with stomach cancer. Despite his declining health, Morris began work on what was his last film role, as Pop Weaver in the biographical drama The Great White Hope (1970). The film was released after his death. After filming wrapped, Morris joined the stage production of The Caine Mutiny Court Martial at the Bucks County Playhouse in New Hope, Pennsylvania.

1970

On September 11, 1970, Lee R. Yopp, the Producer and Director of Caine, was scheduled to have lunch with Morris. After Yopp could not reach Morris by phone at his motel room, he went to Morris' room, where he found the actor's body lying on the floor. The county coroner attributed Morris' death to an overdose of barbiturates. His remains were cremated and scattered over a German river.

Some Chester Morris images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.