Deborah Findlay
Actress

Deborah Findlay Net Worth

She has appeared in numerous films and television series, including 'The Hours', 'The Iron Lady', 'The Crown', 'The Bill', 'Midsomer Murders', 'Silent Witness', 'The Street', 'The Shadow Line', 'The Village', 'The Casual Vacancy' and 'The Hollow Crown'. Deborah Findlay is an English actress and soundtrack born in 1947 in Surrey. She studied English at Leeds University and worked with a theatre group touring plays, music, community theatre and cabaret. She moved to London in 1978 and was part of the original production of 'Top Girls' by Caryl Churchill, which earned her an OBIE Award. She has also been part of the RSC and National Theatre, where she received an Olivier Award and Outer Critics Circle Award for 'Stanley'. Her film and television credits include 'The Hours', 'The Iron Lady', 'The Crown', 'The Bill', 'Midsomer Murders', 'Silent Witness', 'The Street', 'The Shadow Line', 'The Village', 'The Casual Vacancy' and 'The Hollow Crown'.
Deborah Findlay is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Soundtrack
Birth Day December 23, 1947
Birth Place  Surrey, England, United Kingdom
Age 76 YEARS OLD
Occupation Actress
Years active 1978–present

💰 Net worth: $15 Million (2024)

Deborah Findlay is a highly esteemed actress and soundtrack artist hailing from the United Kingdom. With an impressive career spanning several decades, her net worth is estimated to reach a remarkable $15 million by the year 2024. Known for her exceptional talent, Findlay has captivated audiences with her incredible performances in a wide range of roles. Her contributions to the film and music industry have earned her both critical acclaim and financial success, cementing her status as an accomplished figure in the entertainment world.

Biography/Timeline

1980

Over the years Findlay has worked primarily on stage and appeared in numerous productions, including the original Top Girls. In the 1980s she worked with the Royal Shakespeare Company where she appeared in Twelfth Night and The Merchant Of Venice. In 1997 she won an Olivier Award, as well as Outer Critics' Circle Award for Outstanding Featured Actress in a Play, for her performance as Hilda, the wife of the Painter Stanley Spencer in Pam Gems' play Stanley. In 2008 she starred in the US premiere of Vincent River by Philip Ridley. In 2009 she appeared alongside Judi Dench in a Donmar West End revival of Madame de Sade. In 2013 she starred in the Donmar Warehouse production of Coriolanus as Volumnia, a role which earned her Clarence Derwent award for best supporting Actress. In 2016 she appeared on the stage of The Royal Court Theatre twice: as Sally in Caryl Churchill's Escaped Alone and as Hazel in Lucy Kirkwood's The Children.

1992

Her TV credits include Nurse Motte 1992 Maigret with Michael Gambon, Gillian in the ITV drama The Last Train (1999), the recurring character Greer Thornton in four of the six episodes of State of Play and in the episode The French Drop (2004) in Foyle's War. She also appeared in four episodes of the 2001 series of The Armstrong and Miller Show and one episode of the acclaimed and original entry of the Messiah TV series. In autumn 2007 she appeared with Judi Dench, Imelda Staunton and Francesca Annis in the BBC1 costume drama series Cranford, playing the role of the spinster Miss Augusta Tomkinson, as well as in Wilfred Owen: A Remembrance Tale. She reprised her (in this case more prominent) role as Ms. Tomkinson in the two-part Christmas special Return to Cranford. She portrayed Home Secretary Denise Riley in Torchwood's 2009 third series Children of Earth and featured as Lawyer Gemma King in one episode of the BBC1 series Silent Witness in January 2010. She also appeared in two episodes of the ITV series Midsomer Murders: as Miss Richards in "Blue Herrings" (S03E02) and, more recently, as Lorna Sloane in "Murder by Magic" (S17E02).

Some Deborah Findlay images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.