Dorothy Morris
Actress

Dorothy Morris Net Worth

Dorothy Morris was born in Los Angeles, California in 1922 and began her acting career in 1941 under contract with MGM. She was best known for her roles in Someone to Remember (1943), The Human Comedy (1943), Rationing (1944) and None Shall Escape (1944). In 1943, she married a math instructor and had two sons before the marriage ended 23 years later. She returned to acting in the late 1950s, appearing in Macabre (1958) and Seconds (1966). She later married a minister and retired from acting, except for some amateur theatricals. Her sister, Caren Marsh, was an MGM dancer and Judy Garland's stand-in.
Dorothy Morris is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Soundtrack, Miscellaneous Crew
Birth Day February 23, 1922
Birth Place  Los Angeles, California, United States
Age 98 YEARS OLD
Died On November 20, 2011(2011-11-20) (aged 89)\nPalm Springs, California, U.S.
Birth Sign Pisces
Occupation Actress
Years active 1940–1972
Spouse(s) Marvin Moffie (1943–1966) Roger E. Miller (1969–1972)

💰 Net worth

Dorothy Morris, a celebrated actress, soundtrack artist, and contributor to various production roles in the entertainment industry, is anticipated to have a net worth ranging between $100,000 and $1 million by 2024. With her successful career in the United States, Dorothy has built a remarkable reputation, delivering exceptional performances and lending her talents to numerous soundtracks and miscellaneous crew positions. Her dedication and commitment have undoubtedly contributed to her growing financial success, making her a prominent figure in the entertainment world.

Biography/Timeline

1941

Appearing in bit parts in several of the studio's more successful films, Morris was signed to a Metro-Goldwyn-Mayer contract in 1941. For one of her early film roles, Cry 'Havoc' (1943), she affected a British accent. Her next picture was the well-received drama The Human Comedy, which featured a star cast, headed by Mickey Rooney, Frank Morgan, James Craig and Marsha Hunt. Morris' role was Mary Arena; the girlfriend of Van Johnson's character. The highlight of her career, however, came in 1945 when she starred as the doomed Ingeborg Jensen in Our Vines Have Tender Grapes. Other screen roles included Someone to Remember (1943), Pilot No. 5 (1943), Rationing (1944) and None Shall Escape (1944).

1942

She was the younger sister of Caren Marsh Doll, who later became a Dancer and stand-in for Judy Garland. Morris studied acting under famed drama Teacher Maria Ouspenskaya. She did a screen test for the female lead in The Courtship of Andy Hardy (1942), but lost to Donna Reed.

1943

Morris was married twice. Her first marriage was to math professor Marvin Moffie in 1943. They had two children. The marriage ended in divorce in 1966. Her second marriage was to church minister Roger E. Miller in 1969, but their union was short-lived and ended in a 1972 divorce.

1945

Morris is often remembered for her featured appearances in MGM short subjects. She appeared in several of the studio's short films including the Pete Smith Specialties, The Passing Parade, and Crime Does Not Pay series. The Crime short turned out so well that MGM expanded it into a full-length feature, Main Street After Dark in 1945, for which the Actress was billed as Dorothy Ruth Morris. (Morris reminisces about her short-subjects experience in the Turner Classic Movies documentary Added Attractions: The Hollywood Shorts Story, first broadcast in 2002.)

2011

Morris resided in Palm Springs, California until her death on November 20, 2011 at the age of 89. Upon her passing, her body was donated to medical science at the University of California Riverside.

Some Dorothy Morris images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.