Drew Goddard
Producer

Drew Goddard Net Worth

9 months from now

Drew Goddard was born in Los Alamos, New Mexico in 1975 and attended Los Alamos High School and the University of Colorado. After graduation, he worked as a production assistant in L.A. and wrote a spec script which caught the attention of Marti Noxon and David Greenwalt. He became a staff writer for the seventh season of Buffy the Vampire Slayer, writing five episodes, and then moved to Angel for the fifth season, writing four episodes. He also wrote the introduction for a book of essays about Buffy and contributed two stories to the Tales of the Vampires comic series. He was awarded a Hugo for Best Dramatic Presentation/Short Form for his episode "Conversations with Dead People" from Buffy and was nominated for a SyFy Portal Genre Award for Best Episode/Television for his episode "Lies My Parents Told Me".
Drew Goddard is a member of Producer

Age, Biography and Wiki

Who is it? Producer, Writer, Miscellaneous Crew
Birth Day February 26, 1975
Birth Place  Los Alamos, New Mexico, United States
Age 49 YEARS OLD
Birth Sign Pisces
Occupation Screenwriter, film director, producer
Notable awards Hugo Award 2003 Buffy the Vampire Slayer Writers Guild of America Award 2006 Lost National Board of Review Award 2015 The Martian

💰 Net worth: $18 Million (2024)

Drew Goddard, a multi-talented individual in the entertainment industry, is estimated to have a net worth of $18 million by 2024. Hailing from the United States, Goddard has made his mark as a producer, writer, and miscellaneous crew member. With his expertise and creative contributions in various roles, he has gained recognition and financial success throughout his career. His net worth is a testament to his exceptional skills and significant contributions to the field of entertainment.

Biography/Timeline

2005

In 2005, he joined J. J. Abrams' Bad Robot team, where he wrote for both Alias and Lost, winning—along with the Lost writing staff—the Writers Guild of America (WGA) Award for Best Dramatic Series. In 2006, during its third season, Goddard became the co-executive Producer of Lost.

2008

Goddard wrote his first feature in 2008, Cloverfield, directed by Matt Reeves and produced by J. J. Abrams. Cloverfield made $168 million on a $25 million budget. Empire named it the fifth best film of 2008, and the film then went on to win the year's Saturn Award for "Best Science Fiction Film".

2012

Goddard's directorial debut, The Cabin in the Woods, was co-written with Joss Whedon. The Cabin in the Woods was featured on Metacritic's best films of 2012 list, in addition to earning a 92% approval rating on Rotten Tomatoes. The film would eventually go on to win the year's Saturn Award for "Best Horror or Thriller Film", as well as garnering Goddard Saturn's "Filmmaker Showcase Award".

2013

In December 2013, Marvel officially announced that Goddard would be the executive Producer and showrunner for the Daredevil TV series produced by Marvel Television and broadcast on Netflix in 2015. Sony Pictures also announced that Goddard would write and direct a film based on the Sinister Six, though the project was eventually cancelled. In May 2014, Goddard withdrew from showrunning duties on the Daredevil TV series. In February 2015, after the deal between Marvel and Sony to share the rights to Spider-Man was announced, it was reported that Goddard was in talks with Sony to helm the new Spider-Man reboot film, although it was later announced that Jon Watts would be the Director.

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Tags 1975 births American male screenwriters American television producers Living people Writers from New Mexico Writers Guild of America Award winners Horror film directors People from Los Alamos County, New Mexico American television writers Male television writers Writers from Houston

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Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.