Edoardo Ballerini
Actor

Edoardo Ballerini Net Worth

He has also directed several films, including The Last New Yorker (2007) and The Trouble with Cali (2012). Ballerini has been nominated for several awards, including an Emmy for his performance in Gia Dinh Sopranos. He continues to work in both film and television, and is currently producing a new series for HBO.
Edoardo Ballerini is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Producer, Director
Birth Day March 20, 1970
Birth Place  Los Angeles, California, United States
Age 53 YEARS OLD
Birth Sign Aries
Occupation Actor, writer, director and film producer
Years active 1995 - Present
Website Edoardo Ballerini

💰 Net worth: $1.4 Million (2024)

Edoardo Ballerini, a multi-talented individual, has established himself as an accomplished actor, producer, and director in the United States. Along with his commendable career achievements, he has also garnered considerable financial success. As of 2024, Edoardo Ballerini's net worth is estimated to be an impressive $1.4 million. This substantial fortune highlights not only his talent and dedication to his craft but also his knack for making astute business decisions. With an extensive body of work and a diverse range of skills, Edoardo Ballerini continues to thrive in the entertainment industry while solidifying his financial standing.

Biography/Timeline

1920

Ballerini was also cast as another famous 1920's Italian, the anarchist and labor leader Carlo Tresca, in No God, No Master (2011).

1980

Ballerini made his first professional appearance on stage as a child in 1980 at Theater for the New City, New York, in Mario Prosperi's "Uncle Mario." He subsequently joined the Italian Commedia dell'arte troupe for several performances. Stage credits as an adult include Stefanie Zadravec's "Honey Brown Eyes" (Theater Row), John Jesurun's "Chang in a Void Moon" (The Kitchen), "The End of Cinematics" (St. Ann's Space), "Crossroads" (The Henry Street Settlement), and several pieces in "The Eugene O'Neill Project" (The Actors Studio, The Eugene O'Neill Center).

1995

Edoardo Ballerini's first professional role was as an autistic teenager on Law & Order (1995). Two years later, he starred in the John Leguizamo comedy The Pest (1997) and, after that, appeared in Whit Stillman's The Last Days of Disco (1998) and Amos Kollek's Sue (1998).

2000

Edoardo Ballerini was born to an Italian father, the poet Luigi Ballerini, and an American mother, the Writer Julia Ballerini. He grew up between New York City and Milan, Italy. He is a dual citizen, and bilingual. His early schooling took place in New York, at P.S. 41 and later Friends Seminary, before he left home at age 14 for boarding school. From there, he attended Wesleyan University. The summer following his graduation with Honors, Ballerini was given a scholarship to study Latin in Rome. In Italy, he discovered a group of ex-pat actors who were forming a theater company. He joined the troupe. The following fall he attended regular acting classes in New York at HB Studios and The Lee Strasberg Theater Institute. He later became an observer at The Actor's Studio. After living for several years in New York, Ballerini moved to Los Angeles in 2000 before eventually returning to New York, where he continues his career.

2001

Ballerini was cast as the "star chef" in Bob Giraldi's Dinner Rush (2001) opposite Danny Aiello. The film grossed only $638,227 but received largely positive reviews. Internationally, the film did much better and broke into the top ten in box office receipts in Japan in 2003.

2003

His directorial debut, Good Night Valentino, premiered at the 2003 Sundance Film Festival. Ballerini starred in the film as silent film idol Rudolph Valentino.

Some Edoardo Ballerini images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.