Esmond Knight
Actor

Esmond Knight Net Worth

Esmond Knight was a British stage and film actor born in 1906. He made his first film appearance in 1931 and went on to make 11 films with Michael Powell. During WWII, he served in the Royal Navy and lost one eye and was almost totally blinded in the other during an engagement against The Bismarck. Despite this, he was able to portray a Royal Naval officer in the 1960 film Sink the Bismarck!.
Esmond Knight is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Miscellaneous Crew
Birth Day May 04, 1906
Birth Place  East Sheen, Surrey, England, United Kingdom
Age 114 YEARS OLD
Died On 23 February 1987(1987-02-23) (aged 80)\nLondon, England, UK
Birth Sign Gemini
Occupation Actor, dialogue coach
Years active 1928–1987
Spouse(s) Frances Clare (1929–1946) Nora Swinburne (1946–1987)
Website http://www.esmondknight.org.uk/

💰 Net worth

Esmond Knight, a renowned actor and miscellaneous crew member based in the United Kingdom, is projected to have a net worth between $100,000 and $1 million in 2024. With a successful career spanning several decades, Knight has solidified his reputation as a talented and versatile performer within the entertainment industry. Known for his exceptional acting skills and versatility, Knight has played diverse roles and contributed to numerous projects as a valuable member of the crew. As he continues to leave a lasting impact on the world of film and television, his estimated net worth reflects both his talent and dedication to his craft.

Biography/Timeline

1920

He was an accomplished actor with a career spanning over half a century. He established himself in the 1920s on stage. In John Gielgud's famous 1930 production of Hamlet he played Rosencrantz. He also appeared in films. In Romany Love (1931) he played "a swaggering gypsy who never stopped singing." For The Private Life of Henry VIII (1933), Knight and his uncle trained the falcons used in the hunting scenes. In Alfred Hitchcock's Waltzes from Vienna (1934), he played the lead role as Johann Strauss. Following this, he landed a number of roles in Hollywood films. He travelled to Germany to star in Schwarze Rosen (1937), a film about a Finnish anti-communist. The film was shot in three versions, in English, German and French. Julius Streicher visited the set during filming. Thereafter Knight appeared in various film and theatre productions in Britain.

1929

Knight was married twice. He married Actress Frances Clare in 1929. The couple had a daughter, Actress Rosalind Knight.

1930

During the 1930s, he had a long-running affair with Nora Swinburne, of which his wife was aware. She was also an Actress who appeared with him in several stage plays. After a short-lived attempt to end the affair, Knight left Frances for Nora. The couple were married in 1946 and remained together for the rest of their lives.

1940

After war was declared, Knight continued to act, appearing in Powell and Pressburger's film Contraband (1940). He sought a naval commission, but after the evacuation of Dunkirk he became involved in training Local Defence Volunteers. In late 1940 he was accepted for naval training. In 1941 Knight was asked to play the lead role of fanatical Nazi Lieutenant Hirth in another Powell and Pressburger propaganda film 49th Parallel (1941), but Eric Portman took the role as Knight was required for military training. He did appear in This England (also 1941), another propaganda film.

1941

After training, Knight was appointed as Gunnery Officer, at the rank of lieutenant, on the battleship HMS Prince of Wales. In 1941, the ship received orders to pursue the German battleship Bismarck and the heavy cruiser Prinz Eugen. In the ensuing battle, Knight witnessed the sinking of HMS Hood. The Bismarck then attacked HMS Prince of Wales. A shell from Bismarck passed through the bridge of Prince of Wales and either did not explode or exploded outside the ship, but fragments from the damaged bridge structure hit Knight in the face, blinding him. Knight totally lost one eye, and the other was badly damaged.

1943

During 1943, Knight received a series of treatments from Dr Vincent Nesfield designed to restore sight to his remaining eye. The treatment was a great success, restoring much of Knight's sight. The partial return of his sight made a major difference to his career. He appeared briefly in another Powell and Pressburger film, playing the roles of the village idiot and the "Seven Sisters Soldier" in A Canterbury Tale (1944), also adding the voice-over reading of Chaucer. His major breakthrough back into the mainstream came when he was cast as Fluellen, the brave but eccentric Welsh officer in Laurence Olivier's version of Henry V (1944).

1948

Knight continued to work with Olivier and with Powell and Pressburger, appearing in the former's Shakespearean films Hamlet (1948) and Richard III (1955). For the latter, he appeared in Black Narcissus (1947) and The Red Shoes (1948). He also starred in Jean Renoir's The River (1951).

1957

Knight was the subject of a This Is Your Life episode in 1957 when he was surprised by Eamonn Andrews at the King's Theatre in Hammersmith, London.

1960

In the film Sink the Bismarck! (1960), he played John Leach, the captain of HMS Prince of Wales, the ship he had served in when he was blinded (though the captain is not named in the film). In the same year he played Jack Cade in the BBC Shakespeare series An Age of Kings.

1961

He starred as Professor Ernest Reinhart in the British science fiction television series A for Andromeda (1961), alongside Patricia Kneale and Peter Halliday.

1976

In Robin and Marian (1976), a film directed by Richard Lester, he played a blind old man who defies Richard I of England. For the role, Knight removed his glass eye.

Some Esmond Knight images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.