Estelle Winwood
Actress

Estelle Winwood Net Worth

Estelle Winwood was an actress and soundtrack born in Lee, Kent, England, United Kingdom on January 24, 1883. She began her acting career at the age of 5, despite her father's disapproval, and trained with the Liverpool Repertory Company. She made her Broadway debut in 1916 and worked in plays on both sides of the Atlantic. Estelle made her film debut in Quality Street (1937) when she was in her 50s and went on to appear in a number of films and television shows. Her last film was the detective spoof Murder by Death (1976). On the occasion of her 100th birthday, when asked how she felt to have lived so long, Estelle replied, "How rude of you to remind me!".
Estelle Winwood is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Soundtrack
Birth Day January 24, 1883
Birth Place  Lee, Kent, England, United Kingdom
Age 136 YEARS OLD
Died On 20 June 1984(1984-06-20) (aged 101)\nWoodland Hills, California, U.S.
Birth Sign Aquarius
Occupation Actress, director
Years active 1903– 1983
Spouse(s) Francis Barlow Bradley (1928-1929) (his death) Robert Barton Henderson (1944-1984) (her death)

💰 Net worth: $8 Million (2024)

Estelle Winwood, a renowned actress and soundtrack artist hailing from the United Kingdom, is projected to have a net worth of $8 million in the year 2024. Known for her exceptional talent and contributions to the entertainment industry, Winwood has amassed a considerable fortune throughout her successful career. With her captivating performances on screen and her influential contributions to the music industry, it is no surprise that she has gained substantial wealth and acclaim. As an accomplished actress and soundtrack artist, Estelle Winwood's net worth serves as a testament to her undeniable talent and enduring success in the entertainment world.

Biography/Timeline

1883

Born Estelle Ruth Goodwin in 1883 in Lee, Hundred of Blackheath, Kent, she decided at the age of five that she wanted to be an Actress. With her mother's support, but her father's disapproval, she trained with the Lyric Stage Academy in London, before making her professional debut in Johannesburg at the age of 20. During the First World War, she joined the Liverpool Repertory Company before moving on to a career in London's West End.

1916

She moved to the U.S. in 1916 and made her Broadway début in New York City. Until the beginning of the 1930s, she divided her time between New York City and London. Throughout her career, her first love was the theatre; and, as the years passed, she appeared less frequently in London and became a frequent performer on Broadway, appearing in such plays as A Successful Calamity (1917), A Little Journey (1918), Spring Cleaning (1923), The Distaff Side (1934), The Importance of Being Earnest (which she also directed, 1939), When We Are Married (1939), Ladies in Retirement (1940), The Pirate (1942), Ten Little Indians (1944), Lady Windermere's Fan (1947), and The Madwoman of Chaillot (1948).

1959

Her other film credits include Darby O'Gill and the Little People (1959), The Misfits (1961), The Magic Sword (1962), The Notorious Landlady (1962), Dead Ringer (1964), Camelot (1967) and The Producers (1968). She later denigrated the last film, saying she could not imagine why she had done it except for the money.

1960

Like many stage actors of her era, she expressed a distaste for films and resisted the offers she received during the 1920s. Finally, she relented and made her film début in Night Angel (1931), but her scenes were cut before the film's release. Her official film début came in The House of Trent (1933), and Quality Street (1937) was her first role of note. She made no cinematic films during the 1940s, but expressed a willingness to participate in the new medium of television, starring in a television production of Blithe Spirit in 1946. During the 1950s, she appeared more frequently in television than she did in film in such series as Robert Montgomery Presents, Alfred Hitchcock Presents, and The Donna Reed Show. She played the character Hortense in the episode "Where's There's a Will" (August 30, 1960) on the ABC sitcom The Real McCoys starring Walter Brennan. Her few films from that period include The Glass Slipper (1955), The Swan (1956), and 23 Paces to Baker Street (1956).

1968

She was very good friends with Tallulah Bankhead, who died in 1968. Bankhead, actresses Eva Le Gallienne and Blyth Daly, and she were dubbed "The Four Riders of the Algonquin" in the early silent film days, because of their appearances together at the "Algonquin Round Table". Winwood appeared as a character in Answered Prayers, Truman Capote's final, unfinished, thinly veiled roman à clef. In the novel, which uses her real name, she attends a drunken dinner party with Bankhead, Dorothy Parker, Montgomery Clift, and the novel's narrator, P.B. Jones.

1976

Winwood's final film appearance, at age 92 in Murder by Death (1976), was as Elsa Lanchester's character's ancient nursemaid. In this film, she joined other veteran actors spoofing some of the most popular detective characters in murder mysteries on film and television (Dick and Dora Charleston, Jessica Marbles, etc.). When she took on her final major television role in a 1979 episode of Quincy, she officially became, at age 96, the oldest actor working in the U.S., narrowly beating out fellow British Actress Ethel Griffies. She continued making appearances until she was 100 years old. When she died at age 101, she was the oldest member in the history of the Screen Actors Guild.

1984

Winwood died in her sleep in Woodland Hills, California, in 1984, at age 101. She was interred in the Westwood Village Memorial Park Cemetery.

2010

On her 100th birthday, she was asked how it felt to have lived so long. Her response was, "How rude of you to remind me!" Bette Davis, a co-star from Dead Ringer, was photographed at Winwood's side on the occasion in Hollywood, California.

Some Estelle Winwood images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.