Frank Cottrell Boyce
Screenwriter

Frank Cottrell Boyce Net Worth

He has also written for television, including the series Cracker and the miniseries The Mark of Cain. Frank Cottrell Boyce is a Screenwriter with a net worth of $2 Million. He was born in 1959 and is known for writing the screenplays for acclaimed films such as Pandaemonium (2000), Welcome to Sarajevo (1997), and The Railway Man (2013). He has also written for television, including the series Cracker and the miniseries The Mark of Cain, and is the author of the Carnegie medal-winning children's book Millions, as well as its popular 2000 screen adaptation.
Frank Cottrell Boyce is a member of Screenwriter

Age, Biography and Wiki

Birth Day September 23, 1959
Birth Place England
Age 64 YEARS OLD
Birth Sign Libra

💰 Net worth: $2 Million (2024)

About

Known for writing the screenplays for such acclaimed films as Pandaemonium (2000), Welcome to Sarajevo (1997), and The Railway Man (2013), Boyce also penned the Carnegie medal-winning children's book Millions, as well as the novel's popular 2000 screen adaptation.

Before Fame

During the early 1980s, he began writing scripts for the British soap opera Brookside.

Trivia

His children's books have won numerous honors, including the 2012 Guardian Children's Fiction Prize (for The Unforgotten Coat) and the 2011 Gelett Burgess Children's Book Award (for Cosmic).

Family Life

He grew up in Liverpool, England, and later earned a doctorate from Oxford University. His marriage resulted in seven children.

Associated With

He and director Michael Winterbottom collaborated on numerous film projects, including The Claim, Butterfly Kiss, and 24 Hour Party People.

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.