Hanna Schygulla
Actress

Hanna Schygulla Net Worth

Hanna Schygulla was born on December 25, 1943, is Actress, Soundtrack, Director. Lead icon of the influential New German Cinema of the 70's & 80's, Schygulla's natural blonde beauty and amazing versatility keep her among the world's top actresses. She won best actress at Cannes in 1983 for Storia di Piera (1983) (aka "The Story of Piera"), an Italian/German co-production. The Turkish/German co-production, Auf der anderen Seite (2007) (aka "The Edge of Heaven"), won the 2007 Cannes award for best screenplay. The now silver-haired actress appears to have shunned plastic surgery.One of many protégés of Rainer Werner Fassbinder, who gave Schygulla especially tender treatment and nurturing, while he terrorized, manipulated, and slept with many of the other actors and filmmakers Fassbinder developed in his incestuous family-like theatrical and film troupes.Over 12 years, Hanna Schygulla appeared in 23 Fassbinder movies (including his first feature film), the most-acclaimed being Die Ehe der Maria Braun (1979) (aka "The Marriage of Maria Braun") (for which she won the Silver Bear), Lili Marleen (1981) and Berlin Alexanderplatz (1980). After a disagreement with Fassbinder, she did not appear in his final 4 movies. Their mentor/muse relationship is often favorably compared with that of Josef von Sternberg and Marlene Dietrich. Schygulla met Fassbinder while she was studying romance languages and taking acting lessons in Munich, then became a member of his collective theatre troupe, "Munich Action Theatre", which eventually evolved into his film group.After Fassbinder's 1982 death, she appeared in a few commercial films, and when she does act now, concentrates on complex roles in films with unique, international social messages. Her better known non-Fassbinder movies include Kenneth Branagh's Dead Again (1991), Casanova (1987) (with Faye Dunaway), Andrzej Wajda's Eine Liebe in Deutschland (1983) (aka "A Love in Germany") and Margarethe von Trotta's Heller Wahn (1983) (aka "Sheer Madness"). She's renowned for portraying strong, sensual women, and her language ability enables her to appear in films produced by many countries. Her singing was featured in Lili Marleen (1981) and Heller Wahn (1983) (aka "Sheer Madness"). Since 1997, she has turned away from movie acting, primarily to chanson singing, recording CDs, appearing in the movie, Hanna Schygulla Sings (1999) and, in 2007, a one-woman autobiographical musical (including songs of Janis Joplin, Édith Piaf, Billie Holiday, Brecht). She was the lead and sang in a live Vanessa Beecroft conceptual art piece in a German castle, with Fassbinder's long-time associate, Irm Hermann, plus 23 other women. Schygulla has worked on producing films about Berlin's Holocaust memorial, and about her work with Fassbinder.Many of Fassbinder's film plots reflect his bizarre working relations with cast and crew, and he often reserved the most glamorous costumes and dramatic roles for Hanna Schygulla, intentionally pressuring his other talented actresses, such as his feisty ex-wife Ingrid Caven, and the abused Irm Hermann. The extremely tense relationships in the all-female Die bitteren Tränen der Petra von Kant (1972) (aka "Bitter Tears of Petra Von Kant") somewhat reflect real-life interactions of Hermann, Schygulla (both are in the movie), Fassbinder, and his mother.Hann Schygulla's childhood family situation somewhat parallels her role, typifying Germany's moral dilemmas at the end of World War II, in Die Ehe der Maria Braun (1979) (aka "The Marriage of Maria Braun"). Schygulla was born on Christmas Day 1943, in Kattowice, Upper Silesia (then a section of Poland annexed by the Third Reich). Her German father was an infantryman in Italy, who was in a POW camp until she was 5. After the war, the German population was expelled from the Kattowice area.
Hanna Schygulla is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Soundtrack, Director
Birth Day December 25, 1943
Age 80 YEARS OLD
Birth Sign Capricorn
Occupation Actress, singer
Years active 1968–present

💰 Net worth: $19 Million (2024)

Hanna Schygulla, a renowned actress, soundtrack artist, and director, has established herself as a prominent figure in the entertainment industry. Born in 1943, her talent and dedication have propelled her to great heights throughout her career. As of 2024, her net worth is estimated to be an impressive $19 million, showcasing her incredible success and the recognition she has received for her craft. With a wide range of accomplishments under her belt, including notable performances in films and contributions to soundtracks, Schygulla continues to be a celebrated and influential figure in the world of cinema.

Biography/Timeline

1948

Schygulla was born in Königshütte (now Chorzów, Poland) to German parents Antonie (née Mzyk) and Joseph Schygulla. Both the names Schygulla (also spelled Szyguła) and Mzyk are of Polish/Silesian origin, indicating a mixed heritage and/or the process of teutonisation of Slavs as was very Common in Silesia in the 19th century. Her father, a timber merchant by profession, was drafted as an infantryman in the German Army and was captured by American forces in Italy, subsequently being held as a prisoner of war until 1948. In 1945, Schygulla and her mother arrived as refugees in Munich, following the expulsion of the majority German-speaking population of Königshütte by Communist Poland. Much later, in the 1960s, Schygulla studied Romance languages and German studies, while taking acting lessons in Munich during her spare time.

1974

Acting eventually became her focus, and she became particularly known for her film work with Rainer Werner Fassbinder. During the making of Effi Briest (1974), an adaptation of a German novel by Theodor Fontane, Fassbinder and Schygulla fell out over divergent interpretations of the character. Another issue for Schygulla was low pay, and she led a revolt against Fassbinder during the making of Effi Briest, shot in September 1972 some time before its commercial release. His response was typically blunt: "I can't stand the sight of your face any more. You bust my balls". They did not work together again for several years until The Marriage of Maria Braun in 1978. The film was entered into the 29th Berlin International Film Festival, where she won the Silver Bear for Best Actress for her performance. In 1980 she acted in Fassbinder's miniseries adaptation of Berlin Alexanderplatz.

1981

In 1981 Schygulla starred alongside Bruno Ganz in Volker Schlöndorff's Circle of Deceit, and the following year with Isabelle Huppert in Jean-Luc Godard's Passion. She was a member of the jury at the 15th Moscow International Film Festival in 1987.

1990

In the 1990s she became a well-known chanson singer. In Juliane Lorenz's documentary film Life, Love and Celluloid (1998), on Fassbinder and related topics, Schygulla performs several songs.

2000

Schygulla appeared in the 2000 Béla Tarr film Werckmeister Harmonies, and in 2002 in VB51, a performance by the Artist Vanessa Beecroft. Five years later, she appeared in the film The Edge of Heaven, directed by Fatih Akın, to wide acclaim.

2007

In 2007 she received the Honorary Award from the Antalya Golden Orange Film Festival and in 2010 she received the Honorary Golden Bear from the Berlin Film Festival. In 2011 she acted in the Alexander Sokurov film Faust. Schygulla lived in Paris from 1981 to 2014, when she left for Berlin.

2018

In 2018 she appeared in the French drama film The Prayer by Cédric Kahn. It was screened in the main competition section at the 68th Berlin International Film Festival.

Some Hanna Schygulla images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.