Henry Silva
Actor

Henry Silva Net Worth

Henry Silva was born in Brooklyn, New York City in 1928. At age 13, he quit public school to attend drama classes and supported himself as a dishwasher. He was one of five students chosen out of 2500 applicants to join the Actors Studio. He went on to star in films such as The Bravados (1958), The Manchurian Candidate (1962) and Johnny Cool (1963). He moved to Europe to star as a hero in a spaghetti Western, Un fiume di dollari (1966). He speaks Italian and Spanish fluently and has a flair for gritty, realistic roles. He returned to the United States and co-starred with Frank Sinatra in Contract on Cherry Street (1977). He also starred as Kane in Buck Rogers in the 25th Century (1979) and the television series of the same name. Silva now lives in the San Fernando Valley and jogs five miles a day to stay in shape.
Henry Silva is a member of Actor

Age, Biography and Wiki

Who is it? Actor
Birth Day September 15, 1928
Birth Place  Brooklyn, New York, United States
Age 95 YEARS OLD
Birth Sign Libra
Alma mater Actors Studio
Occupation Actor
Years active 1952–2001
Spouse(s) Mary Ramus (m. 1949; div. 1955) Cindy Conroy (m.1959; div.?) Ruth Earl (m. 1966; div. 1987)
Children 2

💰 Net worth: $850,000 (2024)

Henry Silva, a prominent actor in the United States, is estimated to have a net worth of $850,000 in 2024. Silva has amassed his wealth through his successful career in the entertainment industry. Recognized for his exceptional acting skills and versatility, Silva has appeared in numerous films and television shows throughout his career. With his captivating performances and contributions to the industry, Silva has undoubtedly made a significant impact on American cinema.

Biography/Timeline

1955

By 1955, Silva felt ready to audition for the Actors Studio. He was accepted, one of only five successful applicants out of more than 2,500. When the Studio staged Michael V. Gazzo's play A Hatful of Rain as a classroom project (which itself grew out of an earlier improvisation by Silva, Paul Richards and Anthony Franciosa, based on a scene written by Gazzo, entitled "Pot"), it proved so successful that it was presented on Broadway, with students Ben Gazzara, Shelley Winters, Harry Guardino, along with Franciosa, Richards and Silva, in key roles. Silva also appeared in the play's film version.

1957

In Hollywood, he played a succession of villains in films including The Tall T (1957) with Randolph Scott, The Bravados (1958) with Gregory Peck and The Law and Jake Wade (1958). In the 1959 adventure film Green Mansions, he played a forest-dwelling Venezuela native known as Kua-Ko who tries to murder a young woman played by Audrey Hepburn.

1960

Silva gradually became typecast playing mobsters, Robbers and other Criminals, although he did play a comic role as one of the stepbrothers in the 1960 Jerry Lewis film Cinderfella, a parody of Cinderella with Lewis in the title role. He appeared in two episodes of The Outer Limits television series. Other TV appearances included as a hitman in the episode "Better Bargain" on Alfred Hitchcock Presents, plus roles on episodes of The Untouchables, Rod Serling's Night Gallery, Voyage to the Bottom of the Sea and Mission Impossible, as well as Boris Karloff's suspense series Thriller.

1963

In 1963, Henry Silva played the lead role in the gangster film Johnny Cool, which was produced by United Artists and Chrislaw. His character Salvatore "Johnny Cool" Giordano was a hitman sent on a mission by exiled mobster Johnny Colini to kill the underworld figures who had plotted against the mobster. Premiering on October 19, 1963, the film was successful at the box-office and was critically well received. So was the actor's first lead performance, which carried the film. The strong supporting cast features Elizabeth Montgomery, Mort Sahl, Telly Savalas, Jim Backus, Joey Bishop, and Sammy Davis, Jr., most of whose characters were murdered by Silva's murders during the course of the film. Variety praised Silva's performance, writing "Henry Silva, as a Sicilian-born Assassin, is at home as the 'delivery boy of death'". The film's box-office receipts dropped by late November (partly due to the death of President John F. Kennedy).

1965

He also appeared against type as the Japanese detective Mr. Moto in the 1965 murder mystery The Return of Mr. Moto, and as an Apache who helps rape victim Michele Carey in the 1970 revenge western Five Savage Men.

1970

Returning to the United States in the mid-1970s, he co-starred with Frank Sinatra in Contract on Cherry Street (1977) and Charles Bronson in Love and Bullets (1979). He then signed on as the evil adversary Killer Kane in Buck Rogers in the 25th Century (1979).

1980

In the 1980s and 1990s, he appeared as the arrogant hunter Colonel Brock in Alligator (1980), a drug-addicted hitman in Burt Reynolds' Sharky's Machine (1981), a former prison warden-turned-enforcer in Escape from the Bronx (1983), which was lampooned on Mystery Science Theater 3000, a comedy gangster in Cannonball Run II (1984) opposite many of his former Rat Pack buddies, the villainous CIA agent Kurt Zagon in Steven Seagal's debut Above the Law (1988), the sinister mob hitman Influence in Dick Tracy (1990), and the voice of the supervillain Bane in Batman: The Animated Series (1994) and The New Batman Adventures (1998). Silva also plays the crime boss Ray Vargo in Jim Jarmusch's Ghost Dog: The Way of the Samurai (1999) who puts out a hit on the titular character.

1987

Silva also starred as himself in a spoof of In Search of ...-type shows in the comedy Amazon Women on the Moon (1987) for a segment titled Henry Silva's "Bullshit, or Not!", and played a spectator at a boxing match in the 2001 version of Ocean's Eleven.

Some Henry Silva images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.