Age, Biography and Wiki
Who is it? | Director, Producer, Writer |
Birth Day | October 28, 1956 |
Birth Place | London, England, United Kingdom |
Age | 67 YEARS OLD |
Occupation | Film director, producer, screenwriter |
Years active | 1994–present |
Spouse(s) | Sarah Curtis (3 children) |
Net worth: $100K - $1M
Biography/Timeline
Softley was educated at St Benedict's School, Ealing, London, and Queens' College, Cambridge University, where he directed a number of highly-praised theatrical productions. He worked for Granada TV and the BBC in the 1980s before moving on to music videos and film.
Softley's first film, the Stuart Sutcliffe biopic, Backbeat, which he wrote and directed, was released in 1994. It opened the Sundance Film Festival and went on to receive a BAFTA Award nomination for Best British Film. For his work on the film, Softley received Best Newcomer Awards from The London Film Critics Circle and Empire Magazine.
Following Backbeat, Softley directed the cyber thriller Hackers, starring Angelina Jolie and Jonny Lee-Miller. This was followed in 1997 by an adaptation of Henry James' novel, The Wings of the Dove, starring Helena Bonham-Carter. The film premiered at the Toronto and Venice Film Festivals, earned four Academy Award nominations, and won a number of awards including two BAFTAs and multiple acting honors for Bonham Carter.
In 2010, Softley directed a stage adaptation of Backbeat, which was co-written with Stephen Jeffreys. It premiered at the Citizens Theatre in Glasgow, before transferring to the Duke of York's Theatre, in London and then subsequently Toronto, Los Angeles and Berlin.
Aside from his work in film, Softley has also worked in television. In 2012, he directed the short film, The Man, as part of Sky Arts' Playhouse Presents strand. The film was a satirical take on the clandestine Bilderberg Group and starred Stellan Skarsgard, Zoe Wannamaker, Hayley Atwell and Stephen Fry. In 2015, the BBC broadcast atwo-part adaptation of author Sadie Jones’ novel The Outcast which Softley he also directed. The film was warmly received by The Guardian, with Julia Raeside writing: "The tone set by Iain Softley’s beautifully restrained direction and the careful use of music creates a real feeling of loss from the start, just as in the book, but he somehow avoids all hammy visual foreshadowing and narrative signposting, so often used to gee a plot along".