Jack Cole
Choreographer

Jack Cole Net Worth

He also choreographed for television shows such as The Ed Sullivan Show, The Dinah Shore Show, and The Perry Como Show. Jack Cole was a pioneering Choreographer who had a net worth of $15 million. Born in 1911, he was known for his work on Broadway musicals such as Kismet, Man of La Mancha, and A Funny Thing Happened on the Way to the Forum, as well as films such as Three for the Show, There's No Business Like Show Business, and Moon Over Miami. He also choreographed for television shows such as The Ed Sullivan Show, The Dinah Shore Show, and The Perry Como Show.
Jack Cole is a member of Choreographer

Age, Biography and Wiki

Birth Day April 27, 1911
Birth Place New Jersey
Age 109 YEARS OLD
Birth Sign Taurus

💰 Net worth: $15 million (2024)

About

Remembered as a pioneer in the theatrical jazz dance genre, Cole choreographed Broadway musicals such as Kismet, Man of La Mancha, and A Funny Thing Happened on the Way to the Forum and films such as Three for the Show, There's No Business Like Show Business, and Moon Over Miami.

Before Fame

He began his career at the Los Angeles-based Denishawn Dance Company and went on to perform in the 1933 Broadway production of The Dream of Sganarelle and to make his Broadway debut as a choreographer in the 1943 production of Something for the Boys.

Trivia

His choreographic style influenced the work of Jerome Robbins, and many other renowned dancers and choreographers.

Family Life

Born John Ewing Richter, he spent his earliest days in New Brunswick, New Jersey, and was later disowned by his parents and sent to boarding school.

Associated With

He choreographed the famous "Diamonds Are a Girl's Best Friend" number for the Marilyn Monroe feature Gentlemen Prefer Blondes.

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.