Jane Hylton
Actress

Jane Hylton Net Worth

Jane Hylton was a British actress born in London, England in 1927. She was best known for her roles in Passport to Pimlico (1949), My Brother's Keeper (1948) and Deadly Record (1959). She was married to Peter Dyneley and Euan Lloyd and passed away in Glasgow, Scotland in 1979.
Jane Hylton is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Soundtrack
Birth Day July 16, 1926
Birth Place  London, England, United Kingdom
Age 94 YEARS OLD
Died On 28 February 1979(1979-02-28) (aged 52)\nGlasgow, Scotland, UK
Birth Sign Leo
Occupation Actress
Years active 1946–1979
Spouse(s) Euan Lloyd (divorced) 1 daughter Peter Dyneley (?-1977) (his death)
Children Rosalind Lloyd

💰 Net worth

Jane Hylton, a renowned actress and talented soundtrack artist from the United Kingdom, is expected to have a notable net worth of around $100,000 to $1 million in the year 2024. With her long-standing career in the entertainment industry, Jane has amassed significant wealth through her various endeavors. Known for her exceptional acting skills and contributions to iconic soundtracks, she has made a name for herself in both the acting and music spheres. With her continued success and dedication to her craft, it is no surprise that her net worth is anticipated to grow in the coming years.

Biography/Timeline

1946

Hylton's first screen appearance came in a 1946 programmer A Girl in a Million. She quickly moved on to minor roles in films produced by Gainsborough Studios (Jassy, When the Bough Breaks) and Ealing Studios (Holiday Camp, It Always Rains on Sunday), then in 1948 landed her largest role to date, as an escaped convict's mistress in Gainsborough's My Brother's Keeper. She was cast as one of the daughters in Ealing's very successful comedy Here Come the Huggetts, then in 1949 as Molly Reed in the Ealing Comedy Passport to Pimlico.

1950

The film historians Steve Chibnall and Brian McFarlane praise her "quite unusual intensity and a real capacity for depicting working-class lives", and note of her extensive B movie career in the 1950s: "Virtually everything she did is worth watching, for her if sometimes for little else." They add that each of her films "benefits from the instinctive humanity, the sense of her characters' having a past and a place in the world, which she brings to them".

1956

Hylton's first television appearance was in the starring role of Queen Guinevere in the 1956 series The Adventures of Sir Lancelot and from the early 1960s she spent her career entirely in television, where she featured in a number of one-off productions for BBC and ITV drama strands as well as appearing in series such as Dixon of Dock Green, Journey to the Unknown, The Troubleshooters and Take Three Girls. Her most identifiable TV role was Beryl Fisher, the mother of the hapless Betty Spencer (Michele Dotrice) in the BBC comedy series Some Mothers Do 'Ave 'Em.

1978

Hylton's first marriage to film Producer Euan Lloyd ended in divorce, although the couple remained on good terms. The marriage produced a daughter, Rosalind Lloyd, who also became an actress; Hylton and her daughter both appeared in Lloyd's big budget 1978 mercenary drama The Wild Geese, which was Hylton's first screen role for 17 years and turned out to be the last of her career.

1979

Hylton's second marriage to actor Peter Dyneley, whom she met on the set of The Manster, lasted until Dyneley's death from cancer in 1977. Hylton, who had been diagnosed with a congenital heart defect in her late 30s, died of a heart attack in Glasgow on 28 February 1979, aged 52.

Some Jane Hylton images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.