John A. Alonzo
Cinematographer

John A. Alonzo Net Worth

John A. Alonzo was a renowned cinematographer and actor who was born in Dallas, Texas in 1934. He was best known for his work on Chinatown (1974), The Magnificent Seven (1960) and Star Trek: Generations (1994). He was married to Jan Murray and Suzanne L. Heltzel and passed away in 2001 in Beverly Hills, California.
John A. Alonzo is a member of Cinematographer

Age, Biography and Wiki

Who is it? Cinematographer, Actor, Camera Department
Birth Day June 12, 1934
Birth Place  Dallas, Texas, United States
Age 86 YEARS OLD
Died On March 13, 2001(2001-03-13) (aged 66)\nBrentwood, California, United States
Birth Sign Cancer
Occupation Cinematographer, actor, film director
Years active 1967–2002
Spouse(s) Suzanne Heltzel Jan Murray (?-2001; his death)
Children Cristiana Mary Murray, Angela Argenzia, Gorgiana Alonzo

💰 Net worth

John A. Alonzo, a well-known and accomplished individual in the United States, has made significant contributions to the entertainment industry as a cinematographer, actor, and camera department personnel. As of 2024, his net worth is estimated to fall in the range of $100,000 to $1 million. Alonzo's expertise behind the camera has propelled him to work on various projects, capturing captivating visuals and bringing stories to life. With his diverse skill set and valuable experience, Alonzo has undoubtedly played a vital role in shaping the cinematic landscape.

Biography/Timeline

1934

John A. Alonzo, ASC (June 12, 1934 – March 13, 2001) was an American Cinematographer, television Director, and actor known for his incredibly diverse body of work in both film and television.

1956

Alonzo's career began as part of the clean-up crew at television station WFAA in Dallas. However, within a short time he had made himself indispensable, not only building sets, hanging Lights and moving cameras, but also directing cooking and children's shows. Eventually he and actor Hank Williamson created a popular comedy duo: Alonzo became the voice and Puppeteer of the irreverent “Señor Turtle,” who with Williamson as his sidekick, introduced movies and cartoons. In 1956, the show was picked up by station KHJ in Hollywood, where it lasted only 26 weeks. So Alonzo worked for a time as a still Photographer, and as an actor, with appearances in several well-known shows such as Twilight Zone (Season 2 – Episode 12 in Dust as Luis Gallegos, Combat, 77 Sunset Strip and The Alfred Hitchcock Hour."

1974

Alonzo pioneered handheld work, lighting techniques and HD video development during his career. He is remembered mainly for Chinatown (1974) and Scarface (1983), the former for which he was nominated for both a BAFTA and an Academy Award. In addition, he was the recipient of a Primetime Emmy for his work on the 2000 CBS television adaptation of Fail Safe.

1993

His uncomplicated and minimalistic style, combined with his first-hand knowledge of acting, made him one of the most in-demand Directors of photography in Hollywood. In addition, he was not only one of the best "hand-held cameramen in Hollywood, but also a pioneer of high-def digital cinematography. In 1993/94 he shot (for NBC) the first HD movie in the history of American television, World War II: When Lions Roared.

2001

John A. Alonzo died in 2001 after a long illness, at home in Brentwood, California. Perhaps his best known student is two-time Oscar winner John Toll, who began his career as Alonzo's assistant on films like Black Sunday, Norma Rae, Tom Horn and Scarface.

2007

In 2007, Director Axel Schill helmed a feature documentary about Alonzo, The Man Who Shot Chinatown - The Life & Work of John A. Alonzo.

Some John A. Alonzo images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.