John G. Avildsen
Director

John G. Avildsen Net Worth

John G. Avildsen was an American director, editor, and producer born in Oak Park, Illinois on December 21, 1935. He was best known for his work on the Rocky franchise, as well as The Karate Kid Part III. He was married to Tracy Brooks Swope and Marie Olga Maturevich, and passed away on June 16, 2017 in Los Angeles, California.
John G. Avildsen is a member of Director

Age, Biography and Wiki

Who is it? Director, Editor, Producer
Birth Day December 21, 1935
Birth Place  Oak Park, Illinois, United States
Age 85 YEARS OLD
Died On June 16, 2017(2017-06-16) (aged 81)\nLos Angeles, California, U.S.
Birth Sign Capricorn
Cause of death Pancreatic cancer
Other names Johnny Avildsen
Occupation Film director
Years active 1969–2017
Notable work Rocky Rocky V Joe Save the Tiger The Karate Kid Neighbors
Spouse(s) Marie Olga Maturevich (Melissa McCall) (? - ?) Tracy Brooks Swope (1987 - 2006 (separated)
Children 3 sons 1 daughter
Parent(s) Ivy (née Guilbert) and Clarence John Avildsen

💰 Net worth: $2 Million (2024)

John G. Avildsen, a well-known director, editor, and producer in the United States, is estimated to have a net worth of $2 million in 2024. Avildsen has made significant contributions to the film industry throughout his career, shaping the landscape of American cinema. He is best known for directing several iconic films, including "Rocky" and "The Karate Kid," which have become cultural touchstones. Avildsen's talent and creativity have earned him critical acclaim and commercial success, solidifying his position as one of the industry's most respected figures. With an impressive body of work, it is no wonder that his net worth reflects his influential contributions to the world of filmmaking.

Biography/Timeline

1970

Avildsen became a well-known Director in the 1970s. After starting out as an assistant Director on films by Arthur Penn and Otto Preminger, John Avildsen received his first success with the low budget feature Joe (1970) which received critical acclaim for star Peter Boyle and moderate box office Business.

1971

His other films include Cry Uncle! (1971), Neighbors (1981), The Karate Kid (1984), The Karate Kid Part II (1986), The Karate Kid Part III (1989) and 8 Seconds (1994). He also directed the drama Lean On me, starring Morgan Freeman.

1973

Avildsen was the original Director for both Serpico (1973) and Saturday Night Fever (1977), but was fired over disputes with producers Martin Bregman and Robert Stigwood, respectively.

1976

Avildsen's greatest success was Rocky (1976), which he directed working in conjunction with Writer and star Sylvester Stallone. The film was a major critical and commercial success, becoming the highest-grossing film of 1976 and garnering ten Academy Award nominations and winning three, including Best Picture and Best Director. He later returned to direct what was expected to be the series' then-final installment, Rocky V (1990). (Later installments were released in 2006 and 2015).

1980

He directed the mystery-drama The Formula (1980), starring Marlon Brando and George C. Scott.

1981

Avildsen's first wife was Marie Olga Maturevich (Melissa McCall). After they divorced, he married Actress Tracy Brooks Swope in 1987; they divorced in 2003. He had four children. His estranged son Ash (born November 5, 1981), founded Sumerian Records. Another son, Jonathan Avildsen, appeared in the films The Karate Kid Part III and Rocky V. His eldest son was named Anthony and he had a daughter, Bridget.

1999

His last-ever direction was the 1999 film Inferno, starring Jean-Claude Van Damme.

2017

Avildsen died at Cedars-Sinai Medical Center in Los Angeles on June 16, 2017. He was 81. The cause of his death was pancreatic cancer, according to his son, Anthony Avildsen.

Some John G. Avildsen images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.