John Larch
Actor

John Larch Net Worth

John Larch was an instantly recognizable American character actor with a bulbous nose and heavily lined face, who could convey integrity or menace to equal effect. He was best known for his roles in radio, TV series, and films, often playing authoritarian figures such as police officers, military men, attorneys, and politicians. He was praised for his performance as a tough hood in The Phenix City Story (1955) and as Mr. Fremont in The Invaders (1967). He is perhaps best remembered for his role as Harry Callahan's Chief of Police in the original Dirty Harry (1971).
John Larch is a member of Actor

Age, Biography and Wiki

Who is it? Actor
Birth Day October 04, 1914
Birth Place  Salem, Massachusetts, United States
Age 106 YEARS OLD
Died On October 16, 2005(2005-10-16) (aged 91)\nWoodland Hills, Los Angeles, California, U.S.
Birth Sign Scorpio
Resting place Mount Sinai Memorial Park
Other names Harry Larch
Years active 1953–1990
Spouse(s) Vivi Janiss (m. 19??; d. 1988)

💰 Net worth: $17 Million (2024)

John Larch, an esteemed actor in the United States, is expected to have a net worth of $17 million by the year 2024. Renowned for his talent and versatility, Larch has successfully made a name for himself in the entertainment industry. With his exceptional performances onstage and onscreen, Larch has earned immense popularity and financial success throughout his illustrious career. As he continues to captivate audiences with his exceptional acting skills, it comes as no surprise that his net worth continues to soar.

Famous Quotes:

What was my hangup then? Just about everything. I was looking for the four years I had lost in service. I was also looking for a rhyme or reason to the mass murders that took place. I was looking for the ideals I had once had. I was disgusted with the world — a world in which civilians acted as though there hadn't been a worldwide holocaust.

Biography/Timeline

1953

After his lead role in the radio serial Captain Starr of Space (1953–54), he entered films in 1954.

1961

With his wife, Vivi Janiss, who was formerly married to Bob Cummings, Larch appeared on October 3, 1961, in the premiere episode "No Fat Cops" of Leslie Nielson's The New Breed on ABC. The two played a couple, John and Mary Clark. Earlier the two had co-starred on November 23, 1959, as Johnny and Elsie in the episode "End of an Era" of NBC's western series Tales of Wells Fargo, starring Dale Robertson; and on May 23, 1960, as Isaiah and Rebecca Macabee in the episode "The Proud Earth" of the half-hour NBC anthology series Goodyear Theatre. On November 9, 1960, Larch and Janiss appeared as Ben and Sarah Harness in the episode "The Cathy Eckhart Story" of NBC's Wagon Train, with Susan Oliver in the starring role. Then on December 19, 1968, the couple appeared again together in the tenth episode "Yesterday Died and Tomorrow Won't Be Born" of Jack Lord's CBS crime drama Hawaii Five-O.

1963

He usually appeared in westerns (How The West Was Won) and action films, including Miracle of the White Stallions as General George S. Patton Jr. (1963), the television film Collision Course: Truman vs. MacArthur as General Omar Bradley (1976), replacing James Gregory as Mac in the Matt Helm movie The Wrecking Crew (1969) starring Dean Martin, Sharon Tate and Elke Sommer. Larch appeared in two Clint Eastwood films, including Dirty Harry and Play Misty for Me (both 1971).

1965

Larch had the role of Captain Ben Foster on the NBC series Convoy (1965-1966).

2014

The Salem, Massachusetts-born Larch served four years in the Army during World War II — an experience that left him troubled for years thereafter. In 1965, he reflected on his post-military problems, saying:

Some John Larch images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.