John Paxton
Actor

John Paxton Net Worth

John Paxton was an American actor and producer born in Missouri on May 21, 1911. He was best known for his roles in Spider-Man 3 (2007), Spider-Man (2002) and A Simple Plan (1998). He was married to Mary Lou Gray and passed away on November 17, 2011 in Rancho Santa Fe, California.
John Paxton is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Producer
Birth Day May 21, 1911
Birth Place  Missouri, United States
Age 109 YEARS OLD
Died On January 5, 1985(1985-01-05) (aged 73)\nSanta Monica, California, United States
Birth Sign Leo
Occupation Screenwriter

💰 Net worth: $9 Million (2024)

John Paxton, a renowned actor and producer in the United States, is expected to have an estimated net worth of $9 million in 2024. With his exceptional talent and dedication to the entertainment industry, Paxton has successfully established a notable career. Over the years, he has captivated audiences worldwide with his versatile acting skills and has also taken on the role of a producer, contributing to several noteworthy projects. With his immense contributions and continued success, it is no surprise that John Paxton has garnered such a significant net worth in his field.

Biography/Timeline

1911

Paxton was born in Kansas City in 1911. He attended the University of Missouri where he studied journalism and was involved in college plays.

1943

When Stage magazine folded in 1943 Paxton moved to Hollywood and did a variety of jobs, including ghost writing. In 1943 Scott became established at RKO as a Producer and got Paxton a job there was a Writer.

1944

Paxton's first credit was for My Pal Wolf (1944), a girl-and-dog film. Paxton gained critical praise for his adaptation of Raymond Chandler's Farewell, My Lovely, Murder, My Sweet (1944). This was produced by Adrian Scott and directed by Edward Dmytryk, and starred Dick Powell.

1945

Paxton was reunited with Powell, Dmytryk and Scott on a film noir Cornered (1945). He worked on another noir, Crack-Up (1946) with Pat O'Brien, then made a third film with Scott and Dmytryk, So Well Remembered (1947).

1947

The three men combined for a fourth time on Crossfire (1947), a thriller about anti-Semitism that was a huge critical and commercial success. The team broke up, however, when Dmytryk and Scott were blacklisted and fired from RKO. Paxton took over from Scott as Producer of an adaptation of Scott's play The Great Man's Whiskers but it was not made. The Boy with Green Hair which Paxton and Scott were going to make was made by others. Paxton quit RKO in July 1948.

1948

Paxton married in 1948. He and his wife had no children. He died of complications from emphysema.

1951

Paxton went to 20th Century Fox where he wrote Fourteen Hours (1951).

1953

Paxton was hired by Stanley Kramer, who released through Columbia, to adapt the story for The Wild One (1953). He went to MGM to write The Cobweb (1955) then re-wrote R.C. Sheriff's script for A Prize of Gold (1955) for Warwick Films who released through Columbia.

1957

Warwick liked Paxton's work and hired him to write Interpol (1957). He went on to write and produce How to Murder a Rich Uncle (1957) for Warwick.

1959

Kramer hired Paxton to adapt the Nevil Shute novel On the Beach (1959) as a film.

1960

Paxton had no feature film credits for the 1960s. However he won a Golden Globe and an award from the Writers Guild of America in 1971 for his screenplay to the Walter Matthau film Kotch.

1972

Paxton adapted a play by Adrian Scott for television, The Great Man's Whiskers (1972).

1977

He worked on the cartoon series I Am the Greatest!: The Adventures of Muhammad Ali (1977).

2013

Paxton was an uncle to retired army intelligence officer, Col. David O. Paxton and comic book Writer Ed Brubaker. Paxton's life inspired Brubaker's 2013 series The Fade Out.

Some John Paxton images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.