Kathleen King
Actress

Kathleen King Net Worth

Kathleen King was a multi-talented actress, model, director, screenwriter, lyricist, stylist, author, and acting coach born in Little Rock, Arkansas on July 05, 1893. She spent her childhood in North Carolina, Washington, D.C., and Virginia, and was known for her intelligence and wit. Her clients have starred on stage and in film and television, and she has been praised for her work in all of these areas.
Kathleen King is a member of Actress

Age, Biography and Wiki

Who is it? Actress
Birth Day July 05, 1893
Age 126 YEARS OLD
Died On 28 March 1978(1978-03-28) (aged 84)\nDublin, Ireland
Known for Work on Irish Bryophytes
Fields Botany, Bryology
Influenced Maura Scannell

💰 Net worth: $100K - $1M

Biography/Timeline

1893

King was born Anastasia Lelia Catherine Murphy in Dublin on 5 July 1893, the daughter of Lawrence and Bridget Murphy (née Monaghan). Her father had a drapery Business in Lower Baggot Street, with the family living in Upper Merrion Street. King attended Loreto College, St Stephens Green where she had a particular interest in music and drama, playing the cello. She went on to a Berlin finishing school, where she learnt German. Upon returning to Dublin, she acted for a short period in the Abbey Theatre. In 1918 she married Edward Thomas King, a dispensary Doctor. Edward died in 1933, leaving Kathleen to raise four sons. King died on 28 March 1978, in her home in Mount Merrion, Co. Dublin.

1947

King's interest in botany began with growing fruit and vegetables in her garden, more for financial reasons due to becoming a widow. Around this time she joined the Irish Roadside Trees Association, which was concerned with the placement of trees and pavement planting, as she was living in a newly established housing estate in Mount Merrion. King contributed to Maurice Fitzpatrick's Roadside trees in town and country in 1947 along with Geologist Anthony Farrington, Botanist Mrs Augustine Henry, and Harold Leask. She joined the Society of Irish Foresters and the Dublin Naturalists Field Club, both of which expanded her interest in nature and botany.

1949

King developed an interest in non-flowering plants (cryptogams), but particularly Bryophytes (mosses and liverworts) which spurred her to purchase a microscope and join the British Bryological Society in 1949. The distribution of mosses was her main interest, and over the course of 20 years she travelled the country searching for new species records for this previously understudied group. All of which she accomplished without a car or being able to drive. Her ability to read German aided her in reading much of the work being done by contemporaries in Europe. King's work expanded the knowledge of Irish moss and liverwort distribution, publishing her findings in the Irish Naturalists' Journal and the Transactions of the British Bryological Society. A more unusual finding of King was Meesia tristicha, a sub-arctic zone moss, which she identified in 1957 in Bellacorick, County Mayo. Until then this moss had only been known as a sub-fossil in the United Kingdom. The final paper she published in 1970 added 39 new Irish records of bryophytes. King was one of the five botanists who compiled the 1961 Supplement to Colgan's Flora of the County Dublin.

1958

Due to her expert knowledge of bryophytes, many universities would consult with her in moss identification, and she worked with Bord na Móna on the examination of the ecology of bog sites. King was a member of many societies, including the Royal Dublin Society, An Taisce serving as honorary secretary 1958–64, the Dublin Naturalists Field Club as President 1955–6 and vice-president 1957–8, and the Geographical Society of Ireland. She was also elected an honorary member of the British Bryological Society.

Some Kathleen King images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.