Kathleen Marshall
Actress

Kathleen Marshall Net Worth

Kathleen Marshall is an actress, producer, and miscellaneous crew member born in Los Angeles, California on December 16, 1967. She is a graduate of Northwestern University and made her New York theatre debut in the Off-Broadway production of 'Wrong Turn at Lungfish' at the Promenade Theatre. She has also been seen in the upcoming Edtv (1999) and Never Been Kissed (1999). Additionally, she is a founding member of Southern California's Falcon Theatre, which opened its doors in fall, 1997.
Kathleen Marshall is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Producer, Miscellaneous Crew
Birth Day December 16, 1967
Birth Place  Los Angeles, California, United States
Age 56 YEARS OLD
Birth Sign Capricorn
Occupation Choreographer, dancer, theatre director
Years active 1993–present
Spouse(s) Scott Landis (2009–present)
Children 2

💰 Net worth: $20 Million (2024)

Kathleen Marshall, a versatile talent in the entertainment industry, is estimated to possess a net worth of $20 million by 2024. Hailing from the United States, she has made her mark as an actress, producer, and miscellaneous crew member. Renowned for her versatility and dedication, Kathleen's involvement in various aspects of the industry has attributed to her success and accumulated wealth. With numerous prestigious projects under her belt, she continues to impress audiences and make a significant impact in the world of entertainment.

Biography/Timeline

1980

Born in Madison, Wisconsin, she graduated from Taylor Allderdice High School in Pittsburgh, Pennsylvania, in 1980 and Smith College in 1985. She worked in the Pittsburgh theatre scene when she was younger, performing with such companies as Pittsburgh Civic Light Opera. She began her Broadway career as an assistant to her brother Rob, the Choreographer of Kiss of the Spider Woman, in 1993. The two also collaborated on She Loves Me (1993), Damn Yankees (1994), Victor/Victoria (1995) and Seussical (2000). She was the artistic Director for the Encores! series of staged musical revivals from 1996 through 2000. During that time, she choreographed The Boys from Syracuse, Li'l Abner and Call Me Madam and both directed and choreographed Babes in Arms and Wonderful Town.

2003

The Encores! production of Wonderful Town transferred to Broadway in November 2003 and ran until January 2005, with both direction and choreography by Marshall. She was nominated for the Tony Award for Best Direction of a Musical and Best Choreography, and won for Best Choreography. She was the Director and Choreographer of the Broadway revival of Pajama Game which opened in February 2006 and which was the Broadway acting debut of Harry Connick Jr..

2005

She directed the new television movie of Once Upon a Mattress which was broadcast on ABC in December 2005.

2007

Marshall was a judge on the NBC reality series Grease: You're the One That I Want!. Viewers' votes selected the stars of the August 2007 Broadway revival of Grease, which she directed and choreographed.

2009

Marshall and Scott Landis, a Producer and former agent, were married in September 2009. They have two children, Ella and Nathaniel, twins, who were born in May 2010.

2011

Marshall directed and choreographed a Broadway revival of Cole Porter's Anything Goes beginning in April 2011, with Sutton Foster starring as Reno Sweeney. Marshall was nominated for the Tony Award for both directing and choreography and won for choreography. She was the Director and Choreographer of the musical Nice Work If You Can Get It which opened on Broadway in April 2012.

2015

She directed the musical adaptation of the film, Ever After, on Broadway in the 2015-16 musical theatre season.

Some Kathleen Marshall images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.