Louis Anquetin Net Worth

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Louis Anquetin was a French painter born in 1926 in Étrépagny. He was part of a group of artists in Paris that included Vincent van Gough, Paul Gauguin, Henri de Toulouse-Lautrec, Emile Bernard and George Seurat. Anquetin was an innovator in the Paris art scene, developing a new method of painting called ‘Cloisonnisme’ and experimenting with different styles throughout his career. After his death, he was nearly forgotten, but in recent years his works have seen an uprise in interest, particularly his paintings of the mysterious women of the night.
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Age, Biography and Wiki

Who is it?	Painter
Birth Day	January 18, 1926
Birth Place	Étrépagny, French
Age	94 YEARS OLD
Died On	August 19, 1932
Birth Sign	Aquarius

💰 Net worth

Louis Anquetin, a renowned French painter, is reportedly estimated to have a net worth ranging between $100,000 and $1 million by 2024. Famed for his contributions to the art world, Anquetin's work showcased his unique style and profound techniques. His paintings effortlessly combine vibrant colors and innovative brushstrokes, leading to his recognition as a prominent figure in the art community. With his exceptional talent, it comes as no surprise that Anquetin's net worth has reached impressive heights due to the appreciation and demand for his artwork.

Biography/Timeline

1882

In 1882 he came to Paris and began studying art at Léon Bonnat's studio, where he met Henri de Toulouse-Lautrec. The two artists later moved to the studio of Fernand Cormon, where they befriended Émile Bernard and Vincent van Gogh.

1887

Around 1887, Anquetin and Bernard developed a painting style that used flat regions of color and thick, black contour outlines. This style, named cloisonnism by critic Edouard Dujardin, was inspired by both stained glass and Japanese ukiyo-e. One Example of this can be seen in Avenue de Clichy: Five O’Clock in the Evening, argued by Dr. Bogomila Welsh-Ovcharov as being inspiration for Van Gogh's famous Cafe Terrace at Night.

1890

He eventually fell from the public's eye after abandoning the modern movements, opting instead to study the methods of the Old Masters. Thus, Anquetin's works following the mid-1890s, such as Rinaldo and Armida, were especially Rubensian and allegorical in nature. In 1907 he met Jacques Maroger, a young Artist who shared his interest, with whom he collaborated.

1924

Later in life, Anquetin wrote a book on Rubens, which was published in 1924. He died in Paris.