Luck Hari
Actress

Luck Hari Net Worth

Luck Hari is an actress best known for her recurring role as a waitress at Cafe Nervosa on "Frasier". She has also had major roles at the Oregon Shakespeare Festival, Shakespeare Santa Cruz, the Los Angeles Women's Shakespeare Company, the Antaeus Company, and Los Angeles' Circle X Theatre. She is an alumnus of UC Irvine and UCLA, where she received the Carol Burnett Award for Musical Theater in 1988.
Luck Hari is a member of Actress

Age, Biography and Wiki

Who is it? Actress

💰 Net worth

Luck Hari's net worth is expected to reach an impressive range of $100,000 to $1 million by 2024. With an undeniable talent and a successful career, Luck Hari has established herself as an esteemed actress, notably recognized for her recurring role as a waitress at Cafe Nervosa on the popular sitcom "Frasier". Her portrayal of this character has not only garnered critical acclaim but has also solidified her presence in the entertainment industry. Given her rising wealth, it is evident that Luck Hari's remarkable acting abilities have propelled her toward great financial success.

Biography/Timeline

1593

Others
In addition to Jonson, Bedford supported other significant poets of her era, including Michael Drayton, Samuel Daniel, George Chapman, and John Donne. She might be the "Idea" of Drayton's pastoral Idea: The Shepherd's Garland (1593) and of his sonnet sequence Idea's Mirror (1594). Drayton dedicated his Mortimeriados (1594) to her, as Daniel did his Vision of the Twelve Goddesses (1604). Bedford patronised a range of lesser Writers of her era, including the translator John Florio, who credited her help in his translation of the essays of Montaigne. She "received more dedications than any other woman associated with the drama" in her era.

1594

Lucy Harington married Edward Russell, 3rd Earl of Bedford, on 12 December 1594, when she was thirteen years old and he was twenty-two. The 3rd Earl of Bedford got himself into serious trouble in 1601 when he rode with the Earl of Essex in Essex's rebellion against Queen Elizabeth. The Bedford fortunes revived when the reign of James I began in 1603: the Countess audaciously skipped the late queen's funeral and rode hard to the Scottish border, where she was the first to greet the new king's wife .

1600

While best remembered for her patronage of Writers, Bedford also supported Musicians, John Dowland being a noteworthy Example. She is the dedicatee of Dowland's Second Book of Songs (1600).

1617

The Countess became a Lady of the Bedchamber and confidant of Queen Anne; she performed in several of the masques staged at Court in the early 17th century, including The Masque of Blackness, Hymenaei, The Masque of Beauty, The Masque of Queens, and The Vision of the Twelve Goddesses. In one instance, she functioned as something similar to a theatrical producer: she instigated and organised the 1617 Court performance of Robert White's masque Cupid's Banishment, which was acted by students from the first English girls' school, the Ladies Hall in Deptford.

1619

Prominent as she was, both Bedford and her husband had serious financial problems throughout their lives. Lady Bedford reportedly had debts of £50,000 in 1619, apart from the Earl's massive indebtedness.

1627

Lucy, Countess of Bedford died in the same month as her husband, May 1627. None of their children survived infancy.

2011

Lucy Russell is the subject of The Noble Assassin (2011), a historical novel by Christie Dickason.

2014

A few scholars have identified the Earl and Countess of Bedford as the allegorised couple in Shakespeare's The Phoenix and the Turtle, who left "no posterity" (line 59) — yet since the poem was published in 1601, when the Countess was only twenty years old, the identification has struck others as unlikely.

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About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.