Marie de' Medici
Historical Personalities

Marie de' Medici Net Worth

Marie de' Medici was born into the powerful and wealthy House of Medici in 1575. She married King Henry IV of France and Navarre, and her dowry enabled him to pay off his debts. Despite her husband's extra-marital relationships, Marie was made regent for her son Louis XIII until he came of age. She and her husband Concino Concini continued to govern in the name of Louis XIII even after he came of age, leading to strained relations with her son. Marie is remembered for her patronage of the arts, and her lavish building constructions in Paris.
Marie de' Medici is a member of Historical Personalities

Age, Biography and Wiki

Who is it? Queen consort of France and Navarre
Birth Day April 26, 1575
Birth Place Palazzo Pitti, Florence, Tuscany, French
Age 444 YEARS OLD
Died On 3 July 1642(1642-07-03) (aged 67)\nCologne, Holy Roman Empire
Birth Sign Taurus
Tenure 17 December 1600 – 14 May 1610
Coronation 13 May 1610
Burial Basilica of St Denis, Paris, France
Spouse Henry IV of France
Issue Louis XIII of France Elisabeth, Queen of Spain Christine, Duchess of Savoy Nicolas Henri, Duke of Orléans Gaston, Duke of Orléans Henrietta Maria, Queen of England
House Medici
Father Francesco I, Grand Duke of Tuscany
Mother Joanna of Austria
Religion Roman Catholicism
Reference style Her Majesty
Spoken style Your Majesty
Alternative style Madam

💰 Net worth

Marie de' Medici, also recognized as the Queen consort of France and Navarre, is projected to possess a net worth ranging from $100,000 to $1 million by 2024. As a member of the influential Medici family, she was born into wealth and had access to substantial resources throughout her life. Marie de' Medici's elevated social status, coupled with her strategic marriages and political connections, further consolidated her financial standing. As a prominent figure in French history, her net worth represents the power and opulence associated with her illustrious reign during the early 17th century.

Famous Quotes:

Marie de' Medici, all of whose actions were prejudicial to France, has escaped the shame which ought to cover her name. Marie de' Medici wasted the wealth amassed by Henry IV; she never purged herself of the charge of having known of the king's assassination; her intimate was d'Épernon, who did not ward off Ravaillac's blow, and who was proved to have known the murderer personally for a long time. Marie's conduct was such that she forced her son to banish her from France, where she was encouraging her other son, Gaston.

Biography/Timeline

1600

She married Henry IV of France in October 1600 following the annulment of his marriage to Margaret of Valois. The wedding ceremony in Florence, Italy, which Henry who married her by proxy did not attend was celebrated with 4,000 guests and lavish entertainments, including examples of the newly invented musical genre of opera, Jacopo Peri's Euridice. She brought as part of her dowry 600,000 crowns. Her eldest son, the Future King Louis XIII, was born at Fontainebleau the following year.

1610

Marie was crowned Queen of France on 13 May 1610, a day before her husband's death. Hours after Henry's assassination, she was confirmed as regent by the Parliament of Paris. She immediately banished his mistress, Catherine Henriette de Balzac, from the court.

1612

The construction and furnishing of the Palais du Luxembourg, which she referred to as her "Palais Médicis", formed her major artistic project during her regency. The site was purchased in 1612 and construction began in 1615, to designs of Salomon de Brosse. Her court Painter was Peter Paul Rubens. It was well known that Henry of Navarre (her husband) was not wealthy.

1614

Under the regent's lax and capricious rule, the princes of the blood and the great nobles of the kingdom revolted. The queen, too weak to assert her authority, consented to buy them off on 15 May 1614. The opposition to the regency was led by Henri de Bourbon, Duke of Enghien, who pressured Marie into convoking the Estates General in 1614 and 1615.

1616

In 1616 Marie's rule was strengthened by the addition to her councils of Armand Jean du Plessis (later Cardinal Richelieu), who had come to prominence at the meetings of the Estates General. However, her son Louis XIII, already several years into his legal majority, asserted his authority the next year. The king overturned the pro-Habsburg, pro-Spanish foreign policy pursued by his mother, ordered the assassination of Concini, exiled the queen to the Château de Blois and appointed Richelieu to his bishopric.

1619

After two years of virtual imprisonment "in the wilderness", as she put it, Marie escaped from Blois in the night of 21/22 February 1619 and became the figurehead of a new aristocratic revolt headed by Louis's brother Gaston, Duke of Orléans, whose forces Louis easily dispersed.

1621

She resumed her place in the royal council in 1621. The portrait by Rubens was painted at this time. When Marie rebuilt the Luxembourg Palace in Paris, she added this extravagantly flattering cycle of her paintings by Rubens as part of the luxurious decoration. This collection was called the Marie de' Medici Cycle.

1630

After the death of his favourite, the duke of Luynes, Louis turned increasingly for guidance to Richelieu. Marie de' Medici's attempts to displace Richelieu ultimately led to her attempted coup; for a single day, the "Day of the Dupes", in November 1630, she seemed to have succeeded; but the triumph of Richelieu was followed by her self-exile to Compiègne in 1630, from where she escaped to Brussels in 1631 and Amsterdam in 1638.

1638

She also visited England in 1638 (her youngest daughter was Queen Henrietta Maria), staying en route to London in Gidea Hall.

1642

Marie subsequently travelled to Cologne, where she died in 1642, scheming against Richelieu to the end.

Some Marie de' Medici images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.