Mark Dindal
Visual Effects

Mark Dindal Net Worth

Mark Dindal is an American visual effects, writer, and animation department professional born in 1960 in Columbus, Ohio. He is best known for his work on the films Chicken Little (2005), The Emperor's New Groove (2000), and Cats Don't Dance (1997).
Mark Dindal is a member of Visual Effects

Age, Biography and Wiki

Who is it? Visual Effects, Writer, Animation Department
Birth Year 1960
Age 63 YEARS OLD
Residence United States
Alma mater CalArts
Occupation Film director, screenwriter, voice actor, effects animator, character designer
Years active 1980–present
Notable work Cats Don't Dance The Emperor's New Groove Chicken Little

💰 Net worth: $100K - $1M

Biography/Timeline

1980

As a high schooler, Dindal went to Jamesville-DeWitt High School, in which he attended most of the art classes that the school had offer. Dindal learned animation at CalArts. He began working at Disney in 1980. His work included The Fox & the Hound (1981), The Black Cauldron (1985), Mickey's Christmas Carol (1983), and The Great Mouse Detective (1986), each following a very similar animation style in all the films. This style consisted of similar backgrounds with delicate animation and complex character effects, and was well received.

1986

After these projects, Dindal left Disney around 1986 to briefly work on outside projects with Filmation and worked on projects like BraveStarr and The Brave Little Toaster. He returned to the studio in 1987 and got his first head role as a visual effects supervisor for The Little Mermaid (1989). He later worked as head Animator for the film The Rescuers Down Under (1990). He directed the animated segment for the live-action film The Rocketeer (1991), and worked as an effects Animator on the animated film Aladdin (1992).

1997

Dindal's directorial debut was Cats Don't Dance, which was released in 1997, three years before The Emperor's New Groove was released in 2000. In Cats Don't Dance Dindal voiced Max. The film won the Annie Award for Best Animated Film and Dindal was nominated for directing. The Emperor's New Groove was initially expected to be a classic Disney musical feature called Kingdom of the Sun. However, the idea didn't work out, and Dindal, along with Chris Williams and David Reynolds, changed the script to a comedy. During the six-year production, he started to work on Cats Don't Dance, a Turner Broadcasting (since merged into Warner Bros.) animated musical production.

2005

Dindal worked on Chicken Little (2005), another Disney production, which needed a large animation team. Dindal voiced Morkubine Porcupine and Coach in the film. The film was nominated to several Annies, though Dindal was not nominated as a Director. During the film's production, DisneyToon Studios produced Kronk's New Groove as a direct-to-video feature. As Dindal was working on Chicken Little at the time, he did not have a position on the staff. Later, Dindal created the TV series The Emperor's New School (2006-2008).

2006

In March 2006, a day after the DVD release of Chicken Little, Dindal and Producer Randy Fullmer left the company because they were reportedly tired of dealing with then-WDFA head David Stainton. In the next few years, Dindal was attached as a Director to several live-action films, including Sherlock's Secretary, Kringle, and Housebroken. By December 2010, Dindal was directing at DreamWorks Animation an animated feature film titled Me and My Shadow, which would combine both computer and traditional animation. By January 2012, he was no longer directing the film, which went in 2013 back into development. In July 2014, he was credited as the Illustrator for a documentary called Restrung, which is focused on Fullmer, a collaborator that worked with him at Disney and Filmation, with his career at Wyn Guitars from 2006.

Some Mark Dindal images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.