Marta Marco
Actress

Marta Marco Net Worth

Marta Marco is a Spanish actress born in Barcelona, Catalonia in 1924. She is best known for her roles in El coronel Macià (2006), Setze dobles (2002) and Merlí (2015). She has been acting for over four decades and is still active in the industry today.
Marta Marco is a member of Actress

Age, Biography and Wiki

Who is it? Actress
Birth Day February 19, 1924
Birth Place  Barcelona, Barcelona, Catalonia, Spain, Spain
Age 100 YEARS OLD
Birth Sign Pisces
Former type Subsidiary
Industry Spacecraft
Fate Merged with DASA in 2000
Predecessor Marconi Space Systems, Matra Espace
Successor Astrium
Founded 1996
Defunct 2000
Headquarters Toulouse, Haute-Garonne, France
Area served UK, France
Products Satellites
Number of employees 1,100 (UK)
Parent GEC-Marconi, Lagardère Group

💰 Net worth

Marta Marco, a talented actress hailing from Spain, has garnered substantial recognition and success in the film industry. Her remarkable achievements have also translated into her net worth, which is estimated to range between $100K to $1M by 2024. Through her exceptional performances and dedication to her craft, Marta Marco has not only captured the hearts of audiences but has also become a prominent figure in the entertainment world. Her ongoing success showcases her incredible talent and promises an even brighter future for this rising star.

Biography/Timeline

1990

Matra Marconi Space was established in 1990 as a joint venture between the space and Telecommunication divisions of the Lagardère Group (Matra Espace) and the GEC group (Marconi Space Systems). The merged company was announced in December 1989 and was owned 51% by Matra and 49% by GEC-Marconi. It would have annual sales of £300 million, with £8.7 million in assets from Marconi Space Systems and £10.7 million in assets from Matra Espace.

1991

In 1991, British Aerospace was discussing with MMS how to merge their space interests, as well as Robert Bosch GmbH and Deutsche Aerospace.

1994

On 11 August 1994 it bought Ferranti Satcomms (from administration), which was based in Poynton in Cheshire. Ferranti Satcomms brought satellite ground station, component and subsystem technologies to the group.

1995

In July 1995, GEC bought 45% of shares in the National Remote Sensing Centre for the company. Also in July 1995, the company was looking to link up with Aérospatiale of Toulouse and DASA of Germany to form a Europe-wide space company. The company would (five years later) link up with DASA.

1996

By 1996 the company was turning over more than £1 billion. In the late 1990s it developed a partnership with the University of Sheffield's Sheffield Centre for Earth Observation Science (SCEOS), which researched interferometry.

1997

In November 1997 it announced that it would close the Filton site (former BAe Dynamics) in August 1999, with the planned transfer of 300 of 400 personnel and staff from Bristol to Stevenage. The Filton site specialised in scientific satellites and their computer software; projects included Ulysses, Hubble Space Telecsope Solar Arrays, Giotto, Envisat / Polar Platform, Soho and the Cluster spacecraft destroyed in the first FLIGHT of Ariane V. Over 380 staff left the Company and as a result MMS lost the ESA Prime Contract for the Rosetta spacecraft.

1998

In late 1998 it was discussing a possible merger with DASA.

1999

British Aerospace regained an interest in the company when it merged with GEC's Marconi Electronic Systems to form BAE Systems in November 1999.

2000

In 2000, it was merged with the space division of DaimlerChrysler Aerospace AG (DASA) to form Astrium.

Some Marta Marco images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.