McLean Stevenson
Actor

McLean Stevenson Net Worth

McLean Stevenson was born in 1927 in Normal, Illinois. He began his show business career at age 31, working in night clubs, comedy cabarets, summer stock theater, and television. He eventually moved to Hollywood and became a comedy writer for Tom Smothers before beginning to act in sketches. He is most famous for his role as Lt. Colonel Henry Blake on the CBS series M*A*S*H, and he was a regular guest star on The Tonight Show Starring Johnny Carson and The Hollywood Squares over a period of thirty years.
McLean Stevenson is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Soundtrack, Writer
Birth Day November 14, 1927
Birth Place  Normal, Illinois, United States
Age 93 YEARS OLD
Died On February 15, 1996(1996-02-15) (aged 68)\nLos Angeles, California, U.S.
Birth Sign Sagittarius
Resting place Forest Lawn Memorial Park (Hollywood Hills)
Occupation Actor
Years active 1962–1993
Known for Lt. Colonel Henry Blake on M*A*S*H (1972–1975)
Spouse(s) Ginny Fosdick (1980–1996; his death) Carrie Williamson (1949–1979)

💰 Net worth: $7 Million (2024)

McLean Stevenson, a multi-talented individual hailing from the United States, is widely known for his remarkable contributions as an actor, soundtrack artist, and writer. Throughout his career, he has amassed significant success and recognition in the entertainment industry. As of 2024, Stevenson's net worth is estimated to be around $7 million, a testament to his hard work and talent. His versatility across different creative fields has undoubtedly played a major role in his financial achievements.

Biography/Timeline

1952

Stevenson attended Lake Forest Academy and later joined the United States Navy. After his Service, he attended Northwestern University, where he graduated with a bachelor's degree in theater arts and was a proud and well liked Phi Gamma Delta (Fiji) fraternity brother. Afterwards he worked at a radio station, played a clown on a live TV show in Dallas, became an assistant athletic Director at Northwestern and sold medical supplies and insurance. He also worked as a press secretary for his cousin in the presidential elections of 1952 and 1956. He formed the "Young Democrats for Stevenson".

1961

In 1961, Stevenson's cousin invited him to social functions where he met a few Business luminaries. He followed his cousin's advice to look for a show Business career. He auditioned and won a scholarship to the American Musical and Dramatic Academy. He made his professional career debut in The Music Man in 1962 and appeared regularly in Warsaw, Indiana, in summer stock productions. After this he appeared in New York City on stage and television commercials. He also performed on Broadway. However, he began to establish himself as a comedy Writer, writing for the seminal That Was The Week That Was, in which Alan Alda appeared, and The Smothers Brothers Comedy Hour. He performed occasionally on both shows. He also was a regular on the 1970 The Tim Conway Comedy Hour variety show on CBS. During this period, he also appeared in TV commercials for products such as Winston cigarettes, in which he was shown sprinting around a parking lot of Winston delivery trucks and painting over the product slogan, replacing the "like" in "like a cigarette should" with the grammatically correct "as".

1969

After guest-starring on That Girl with Marlo Thomas, he was cast in The Doris Day Show in 1969, playing magazine Editor boss Michael Nicholson until 1971. Originally, he auditioned for the role of Hawkeye Pierce in M*A*S*H, but was persuaded to play Lt. Col. Henry Blake instead. This role shot him to stardom. He eventually wrote the episode "The Trial of Henry Blake", and provided the story for another, "The Army-Navy Game", which earned Stevenson an Emmy nomination.

1970

Stevenson died one day before the death of Roger Bowen, who portrayed Lt. Colonel Henry Blake in the 1970 movie MASH.

1973

Stevenson appeared as a guest panelist for several weeks on Match Game in 1973, and again in 1978 on the daytime and nighttime weekly syndicated version. In 1981, Stevenson became a regular panelist on the daily syndicated version of Match Game, staying with the show until its cancellation a year later. Stevenson would make occasional appearances on the subsequent Match Game-Hollywood Squares Hour in 1983 and 1984.

1974

Stevenson found his greatest success on M*A*S*H. The series quickly became one of the most popular situation comedies of its time, and was eventually recognized as one of the top sitcoms in television history. Despite the show's success, Stevenson began chafing (as did Wayne Rogers) at playing supporting parts to the wisecracking Hawkeye (played by Alan Alda), and asked to be released from his contract during the show's third season. The show's Writers reluctantly penned him an exit in the final episode of the 1974-75 season (entitled Abyssinia, Henry), in which Lt. Colonel Blake was discharged, only to board a plane that was shot down over the Sea of Japan, killing everyone on board — a development added after scripts were distributed so the show's actors would display genuine emotion.

1976

After his departure from M*A*S*H, Stevenson's acting career began to decline. He starred in a series of sitcoms, none of which lasted more than approximately one season. They included The McLean Stevenson Show (1976–77), In the Beginning (1978), Hello, Larry (1979–80) and Condo (1983). All four sitcoms were dismissed by audiences and lambasted by critics, and all aired while M*A*S*H was still in production. Stevenson guest-starred as Stan Zbornak's brother Ted on the hit sitcom The Golden Girls in 1987, in addition to guest-starring in shows such as Square One TV, The Love Boat, Diff'rent Strokes (as part of a cross-over with his series Hello, Larry), and Hollywood Squares. He filled in for Johnny Carson as guest host of The Tonight Show 58 times, and as a guest on the program in 1982, he brought his daughter Lindsey onto the set when she was just 16 weeks old. During the 1988–89 television season, Stevenson returned to a supporting TV role in an ensemble, playing Max Kellerman in the short-lived CBS series adaptation of Dirty Dancing.

1985

Stevenson's screen credits include the Disney movie The Cat from Outer Space as a friend of Dr. Frank Wilson (played by Ken Berry) along with his M*A*S*H replacement Harry Morgan. He also was a co-host of the syndicated daytime talk show America, which lasted 16 weeks between September 16, 1985 and January 3, 1986.

1990

Stevenson's dramatic career decline resulted in his becoming a target for industry jokes. One television critic wrote that he had "worn out his television welcome," while another created "The Annual McLean Stevenson Memorial, 'I'm Gonna Quit This Show and Become a Big Star' Award." Stevenson commented in 1990 that some of the criticism was justified, conceding that leaving M*A*S*H was the biggest mistake of his career. "I made the mistake of believing that people were enamored of McLean Stevenson when the person they were enamored of was Henry Blake," said Stevenson. "So if you go and do The McLean Stevenson Show, nobody cares about McLean Stevenson." Stevenson admitted that his Problem was finding something of the caliber of M*A*S*H, saying "I've never been able to work with a group that's as talented or scripts that are as good. I did some terrible shows. But nobody made me do it. I did everything by choice."

1996

Stevenson was recovering from bladder cancer surgery at the Encino-Tarzana Regional Medical Center on February 15, 1996, when he suffered a fatal heart attack. He is interred in Forest Lawn - Hollywood Hills Cemetery in Los Angeles.

Some McLean Stevenson images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.