Michael Gwynn
Actor

Michael Gwynn Net Worth

Michael Gwynn was an English actor born on November 19, 1930 in Bath, Somerset. He was best known for his roles in Village of the Damned (1960), Jason and the Argonauts (1963) and Barabbas (1961). He was married to Margaret Jean Bartlam and passed away on January 29, 1976 in London, England.
Michael Gwynn is a member of Actor

Age, Biography and Wiki

Who is it? Actor
Birth Day November 19, 1930
Age 93 YEARS OLD
Birth Sign Sagittarius

💰 Net worth: $100K - $1M

Biography/Timeline

1975

Gwynn is perhaps best remembered for his role in the first episode of the BBC comedy Fawlty Towers "A Touch of Class" (1975) as the conman "Lord" Melbury who eventually humiliates Basil Fawlty. For Hammer Films, he performed in several productions including the war film The Camp on Blood Island (1958), and Never Take Sweets from a Stranger (1960), a rare drama film for the studio; the actor also appeared in one of their very best horror movies, The Revenge of Frankenstein (1958), in which he played a tragic experimental subject who turns into a cannibalistic killer, and the less well-regarded Scars of Dracula (1970) in the role of a priest determined to battle Count Dracula.

1976

Gwynn also appeared on several adaptations of plays on the Caedmon Records label. Among them were Cyrano de Bergerac, in which he played Le Bret, and Julius Caesar, in which he played Casca. Both productions starred Ralph Richardson in the title roles. Gwynn also appeared in a BBC serialised adaptation of Great Expectations as Joe Gargery in 1959. Gwynn died on 29 January 1976 in London from a heart attack, aged 59.

Some Michael Gwynn images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.