Natalie Press
Actress

Natalie Press Net Worth

She has also appeared in a number of television shows, including Waking the Dead, The Bill, and The Shadow Line. She has also appeared in a number of films, including The Devil's Whore and The Iron Lady. Natalie Press is an English actress who has appeared in a variety of films and television shows since her debut in 2004. She is best known for her roles in My Summer of Love, Suffragette, and Red Road.
Natalie Press is a member of Actress

Age, Biography and Wiki

Who is it? Actress
Birth Day August 15, 1980
Birth Place  London, England, United Kingdom
Age 43 YEARS OLD
Birth Sign Virgo
Occupation Actress
Years active 2001–present

💰 Net worth

Natalie Press, the talented actress hailing from the United Kingdom, is estimated to have a net worth ranging between $100K to $1M by 2024. Over the years, she has made a significant impact with her outstanding performances, captivating audiences with her versatility and skill. With notable appearances in both television and film, Natalie Press has undoubtedly established herself as a prominent figure in the entertainment industry. As her net worth continues to grow, it is evident that her talent and dedication will propel her towards even greater success in the years to come.

Biography/Timeline

2001

Press' first credited screen role was in a 2001 episode of the BBC television series Holby City. Her film debut and first lead role was in the short film Wasp (2003), which went on to win the Academy Award for best short film in 2005. She was recognised by the London Film Critics Circle and the Evening Standard British Film Awards for her work in My Summer of Love (2004) and nominated for a European Film Award in the category of Best European Actress the same year. She made her professional stage debut in The Weather, a new play Clare Pollard, performed as part of the Royal Court Theatre's 2004 Young Playwrights Season. In 2005, Press appeared as Caddy Turveydrop (née Jellyby) in the acclaimed BBC serialisation of Dickens' Bleak House. Also in 2005 she appeared in the BBC television drama Mr. Harvey Lights a Candle.

2006

In 2006 Press appeared in Red Road (also by the Director of Wasp) (the first film in the proposed Advance Party trilogy) which won the Jury Prize at the 2006 Cannes Film Festival and in the two-part drama series Damage which was broadcast on Irish television. In the same year she won the Glamour magazine award for best newcomer in association with Nokia.

2007

On 8 March 2007, Press performed in an Art Plus drama fundraising event at the Whitechapel Art Gallery opposite Rhys Ifans, Martine McCutcheon and Samantha Morton. In 2007 she was, alongside Cecilia Dean and Helena Christensen, one of the new faces of the Japanese clothing label Uniqlo and featured in the music video for Turin Brakes' single "Stalker". She made her radio debut in October 2007 in the BBC Radio play Wes Bell by Matthew Broughton.

2008

Press appeared in the short film Son (2008) by BAFTA winner Daniel Mulloy, which went on to win a slew of international awards including Best British Short Film at the Edinburgh International Film Festival in the UK. She also starred in Inseparable opposite Benedict Cumberbatch, and in In Transit, a World War II drama set in Russia which also features John Malkovich. Forthcoming films include Knife Edge and The Sea Change.

2010

In 2010 she was nominated for Independent Spirit Award for Best Supporting Female for her film Fifty Dead Men Walking.

2012

Press worked on period love story Where I Belong (2012) in the leading role of Rose Marie, starring opposite Johannes Krisch.

Some Natalie Press images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.