Nick Stewart
Actor

Nick Stewart Net Worth

Nick Stewart was an American actor and soundtrack born in New York City on March 15, 1910. He was best known for his roles in It's a Mad Mad Mad Mad World (1963), Carmen Jones (1954) and Song of the South (1946). He was married to Edna Stewart and passed away on December 18, 2000 in Los Angeles, California.
Nick Stewart is a member of Actor

Age, Biography and Wiki

Who is it? Actor, Soundtrack
Birth Day March 15, 1910
Birth Place  New York City, New York, United States
Age 110 YEARS OLD
Died On December 18, 2000(2000-12-18) (aged 90)\nLos Angeles, California, U.S.
Birth Sign Aries
Occupation Actor/Producer
Years active 1932–1996
Spouse(s) Edna Stewart (m. 1941–2000; his death) 3 children

💰 Net worth

Nick Stewart, a renowned actor and talented soundtrack artist hailing from the United States, is expected to have a net worth ranging from $100,000 to $1 million by the year 2024. With his exceptional skills and contributions to the entertainment industry, Nick has garnered immense recognition and success. His acting prowess has graced the screens, while his remarkable music has enriched various soundtracks. As a multifaceted artist, Nick Stewart continues to captivate audiences and build his wealth through his remarkable talent and dedication.

Biography/Timeline

1888

Nick Stewart was born Horace Winfred Stewart in New York City, to Joseph (March 15,1888 – July 1976) and Eva Stewart, who were recent immigrants from Barbados, British West Indies. He began his show Business career as a Dancer at the Cotton Club and Hoofers Club. Stewart also was a veteran of Broadway shows, having created a comedic character he called "Nicodemus" and playing that role in Swingin' the Dream and Louisiana Purchase, as well as in the film Go West, Young Man. Stewart also performed comedy as a cast member of the Rudy Vallée radio show in 1941. Other acting credits include the 1936 movie Go West Young Man, the voice of Br'er Bear in the 1946 Disney movie Song of the South, (As well as in the spin-off Disney attraction Splash Mountain. Coincidentally, he is the only voice actor in that attraction to reprise his role from the film, as James Baskett and Johnny Lee, the original voices of Brer Fox and Brer Rabbit had died, and were replaced by Jess Harnell.), and Willy-Willy on the television series Ramar of the Jungle. Also in 1954, Stewart had an important role in The Reign of Amelika Joe presented by Fireside Theatre. He also won a comedy role in White Christmas (1954).

1949

He was originally offered the role of Calhoun the Lawyer, which he turned down. (After his refusal, it went to Johnny Lee, who had the role on radio since 1949.) Soon Gosden and Correll were back on the telephone, this time offering Stewart the role of Lightnin' on the television show. Nick Stewart accepted the role with one idea in mind: to make enough money to be able to open his own theater where African Americans would not be typecast as maids and porters. In the 1960s, he would have a small roles on Mister Ed and in the classic comedy film, It's a Mad, Mad, Mad, Mad World (1963) as the Migrant Truck Driver who is forced off of the road. In 1987, Doris McMillon devoted an entire week of her nightly talk show, On the Line with, to a discussion of the documentary Amos 'n' Andy: Anatomy of a Controversy, and the issues surrounding the shows. Nick Stewart was one of the participants, discussing the show and his role in it.

1950

Founded in 1950, and first located on Washington Boulevard and Western Avenue, then on Crenshaw Boulevard, afterward on Adams Boulevard and later on Washington boulevard in Los Angeles, Stewart filled the seats with quality productions.The couple did all remodeling of the building themselves, with the help of salvaged lumber from the CBS Television City construction site. Stewart hosted a variety show called Ebony Showcase Presents on KTTV from the theatre in 1953. Because CBS believed Nick Stewart's work with his theater was impairing his ability to perform on Amos 'n' Andy, he was notified that his contract would not be renewed; this was shortly before the decision to take the show off the air. By 1964, the Ebony Showcase had grown and moved again, this time to the Metro Theater near Washington and La Brea. Around this time, Nick Stewart wrote his own musical called Carnival Island. In 1973, Nick and Edna Stewart were honored by Los Angeles mayor Tom Bradley and the California Museum of Science and Industry's Advisory Board for their work with the Ebony Showcase theatre. During his years in vaudeville, Stewart and Milton Berle often worked together; Berle was a frequent visitor to the Ebony Showcase.

1992

Although the Stewarts lost title to the theatre complex in 1992, they were allowed to stay there and operate the theater. and the buildings were later demolished. The couple used two homes they owned as collateral for a loan meant to save the theatre; both were lost. One of the issues which led to the theatre's financial problems was a Los Angeles law requiring all older brick buildings to meet current earthquake standards. The entire complex that had housed the Ebony Showcase organization, including a house not shown in the picture, was taken in eminent domain by the Los Angeles Community Redevelopment Agency. The theater edifice was demolished in 1998, the rest of the complex was demolished, building-by-building.

1995

Stewart was given a Lifetime Achievement Award by the Beverly Hills/Hollywood NAACP. He also received the Living Legend award from the National Black Theatre Festival in 1995.

2000

He died in Los Angeles, California on December 18, 2000 at age 90, a week after attending the groundbreaking ceremonies for the Performing Arts Center named for Los Angeles Politician Nate Holden which was built on the site where the Ebony Showcase stood. The Ebony Showcase transformed, adapted, and did not close. Instead, the Ebony Showcase continues to provide entertainment, resources, and charitable services on the internet and in the community.

Some Nick Stewart images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.