Pat Woodell
Actress

Pat Woodell Net Worth

Pat Woodell was an American actress and soundtrack born on July 12, 1944 in Winthrop, Massachusetts. She was best known for her roles in Petticoat Junction (1963), The Roommates (1973) and The Big Doll House (1971). She was married to Robert Vern McDade and Gary Clarke and passed away on September 29, 2015 in Fallbrook, California.
Pat Woodell is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Soundtrack
Birth Day July 12, 1944
Birth Place  Winthrop, Massachusetts, United States
Age 76 YEARS OLD
Died On September 29, 2015(2015-09-29) (aged 71)\nFallbrook, California, U.S.
Birth Sign Leo
Occupation Actress/Singer
Years active 1962–1973
Spouse(s) Gary Clarke Vern McDade (m. 1978–2015)

💰 Net worth: $8 Million (2024)

Pat Woodell, the renowned actress and accomplished soundtrack artist, is anticipated to have an impressive net worth of $8 million by 2024. Recognized for her remarkable contributions to the entertainment industry in the United States, Woodell has made significant strides in both acting and music. Through her exceptional talent and unwavering dedication, Woodell has captivated audiences with her noteworthy performances in various films and television series. As her net worth continues to soar, Pat Woodell remains an esteemed figure in the realm of American entertainment.

Biography/Timeline

1944

Woodell was born July 12, 1944, in Winthrop, Massachusetts. Initially hoping to be a singer, she made some appearances as a teenager in Catskill Mountains hotels before making her acting debut in a 1962 episode of Cheyenne, entitled "The Vanishing Breed". She went on to appear on the shows Hawaiian Eye (1963), The Gallant Men (1963), GE True (1963), and 77 Sunset Strip (1963). She also appeared in the anticommunist film Red Nightmare (1962).

1963

Woodell is best remembered for being the first Bobbie Jo Bradley, one of three teenaged sisters, on the CBS sitcom, Petticoat Junction; which began its run in 1963. She played the book-smart character for the sitcom's first two seasons (1963–1965) before leaving the series in the spring of 1965. In several episodes, she performed musical numbers, including one called "The Ladybugs". The Ladybugs (a take-off on the Beatles) was a singing group composed of Bobbie Jo and her TV sisters Linda Kaye and Jeannine Riley, together with Sheila James. The Ladybugs also appeared on an episode of The Ed Sullivan Show during Woodell's run on Petticoat Junction.

1965

After leaving Petticoat Junction, Woodell went on to have guest roles on a season-three episode of The Hollywood Palace in 1965, and in the last episode of The Munsters in 1966. She then toured as a singer, with Jack Benny, and recorded an album, but she did not achieve great popularity as a vocalist. In 1968, she voiced "Bunny" to Mel Blanc`s "Claude" in two Looney Tunes cartoons (released in 1969). In 1971, Woodell made her film debut in The Big Doll House, followed by four more "exploitation" type films, including The Woman Hunt (1972), The Twilight People (1972), Class of '74 (1972), and The Roommates (1973), but she did not break into mainstream feature films.

1973

Woodell retired from acting in 1973, after appearing on an episode of The New Perry Mason, entitled "The Case of the Murdered Murderer". She soon went to work for Werner Erhard, in his est seminar organization, and subsequently cofounded a consulting firm, retiring in 2013. Woodell never returned to acting, but appeared in a few documentaries about her days on Petticoat Junction.

2015

Woodell was married to actor Gary Clarke. Following their divorce, she married Vern McDade in 1978; they remained married until her death. Woodell died on September 29, 2015, at her home in Fallbrook, California. She was 71 and battled cancer for more than 20 years.

Some Pat Woodell images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.