Quentin Dupieux
Director

Quentin Dupieux Net Worth

He is also a composer, having written the music for his films. Born on April 14, 1974, Dupieux has been making films since the late 1990s. His work is often surreal and humorous, and he has been praised for his unique style. He has won numerous awards for his films, including the Cannes Film Festival's Critics' Week Grand Prize for Rubber.
Quentin Dupieux is a member of Director

Age, Biography and Wiki

Who is it? Director, Writer, Composer
Birth Day April 14, 1974
Age 49 YEARS OLD
Birth name Quentin Dupieux
Also known as Mister Oizo
Genres French house techno experimental
Occupation(s) Producer DJ filmmaker composer songwriter
Instruments Synthesizer sampler drum machine keyboard computer
Years active 1991–present
Labels F Communications (1997–2006) Ed Banger Records (2006–present) Brainfeeder (2014–present)
Associated acts Uffie Feadz Echo Depth Finders Busy P SebastiAn Bart B More Boys Noize Skrillex Charli XCX
Website www.oizo3000.com

💰 Net worth

Quentin Dupieux, a versatile and talented individual, is estimated to have a net worth ranging from $100,000 to $1 million by 2024. Born in 1974, Dupieux is renowned for his contributions as a director, writer, and composer. With his unique creative vision, he has left an indelible mark in the entertainment industry, captivating audiences with his artistic endeavors. As he continues to build his successful career, his net worth is projected to grow, reflecting his profound impact and continued success in the years to come.

Biography/Timeline

1974

Quentin Dupieux was born on 14 April 1974 in Paris. At the age of 12, he found a camera and started taking photographs. At 17, he began to play music to illustrate his images, and he bought his first synthesizer. In 1997, Laurent Garnier of the record label FCom bought a car from Mr. Oizo's father. Garnier then found out about Dupieux's talents and let him direct the music video for his song "Flashback". Later, Dupieux was signed to FCom, which he released his first EP, "#1".

1979

Mr. Oizo's first EP released on Ed Banger Records is called "Transsexual". The EP features the track "Patrick122", which is a re-working of the 1979 disco track "Do It at the Disco" by Gary's Gang. The track appeared on Mr. Oizo's MySpace page in 2006 under the title Patrick122.

1997

Dupieux created a number of music videos and feature films, starting with the 1997 music video "Kirk". He not only directs his productions, he is usually also Writer, Editor, Composer and Cinematographer.

1999

After "Flat Beat", Oizo spent two months creating his first full album, Analog Worms Attack, which was released in 1999. The album's name was derived from the album's production – it was composed entirely using analog equipment. The record scratching effects were provided by Mr. Oizo's friend Feadz. "Flat Beat" appeared as a bonus track after the five minutes of silence following the final track "Analog Wormz Sequel". There are a total of three singles off of this album. A version of "No Day Massacre" without any record scratching exists on the Flat Beat EP, titled "Monday Massacre".

2005

Moustache (Half a Scissor) was Mr. Oizo's second studio album. Released in 2005, the album was composed exclusively using computers as he had by that time decided to eschew the use of analog equipment. The extensive time it took to remodel his studio and master the use of computers in composing electronic music is cited as the reason for the long hiatus between Analog Worms Attack and Moustache (Half a Scissor). Before its public release, a promo CD was released onto the internet featuring three tracks not on the original release: "CPU","Nazis", and "A Nun."

2006

Mr. Oizo and Uffie first collaborated on her second single, "Ready to Uff", in 2006. Since then he has produced the following tracks for Uffie: "Dismissed", "Hot Chick", "F1rst Love" (which charted at number 18 in Belgium), "Steroids" and "MCs Can Kiss".

2007

Dupieux's second feature film Steak was released in France on 20 June 2007.

2008

On 16 October 2008, his MySpace page had another video appear: a promo for his upcoming album, Lambs Anger. The first single off the Record was "Positif", which was released 3 days after Lambs Anger. On 15 March 2009, the second single off the album was released, Pourriture, whose EP features some reworked titles by Oizo himself and a remix of Erreur Jean by Arveene and Misk.

2009

Filming for the absurdist horror film Rubber began in 2009. The electronic music duo Justice stated that they would be working on the Soundtrack for Rubber, saying they had to 'finish working on the Soundtrack for Mr. Oizo's new film before we start recording for the new album'. However, only Gaspard Augé of the duo collaborated with Dupieux on the Soundtrack. The film had a United States Video on Demand release.

2010

Mr. Oizo provided both production work and songwriting for Uffie's 2010 debut album, Sex Dreams and Denim Jeans. He worked alongside Feadz, SebastiAn, Mirwais, J-Mat and Uffie to produce and write the album. He produced the first single from the album, "MCs Can Kiss", which peaked at number 48 Japan and 97 in France. He also produced the tracks "Art of Uff", "F1rst Love", "Our Song" and "NeuNeu".

2011

Some songs on the promo differ from the released album versions. For Example, "Nurse Bob" is much longer on the final release whilst the promo version splices vocal samples into a much shorter version. This is his only album not to have its debut release on vinyl; in January 2011 it was released through Brainfeeder.

2012

The comedy Wrong Cops was produced by Realitism Films, who describe it as "a filthy 90 minute comedy about some disturbed cops. It is not a sequel to Wrong." The first thirteen-minute chapter of the film premiered at the 2012 Cannes Film Festival.

2014

Dupieux returned in 2014 with the surreal comedy Reality, distributed in the US by IFC Midnight.

Some Quentin Dupieux images

About the author

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As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.