Rachel Matthews
Actress

Rachel Matthews Net Worth

Rachel Matthews is an actress best known for her roles in the films Happy Death Day (2017) and Ms. White Light. She was born in the United States and has been active in the entertainment industry since 2017. She has also appeared in television shows such as The Flash and The Good Place.
Rachel Matthews is a member of Actress

Age, Biography and Wiki

Who is it? Actress
Directed by Christopher B. Landon
Produced by Jason Blum
Written by Scott Lobdell
Starring Jessica Rothe Israel Broussard
Music by Bear McCreary
Cinematography Toby Oliver
Edited by Gregory Plotkin
Production company Blumhouse Productions
Distributed by Universal Pictures
Release date October 13, 2017 (2017-10-13) (United States)
Running time 96 minutes
Country United States
Language English
Budget $4.8 million
Box office $122.6 million
Released October 13, 2017
Genre Film score
Length 39:57 (Standard album) 44:16 (Bonus track version)
Label Back Lot Music

💰 Net worth: $8 Million (2024)

Marvel (2019)." Rachel Matthews' net worth is a testament to her successful career in the entertainment industry. With her notable roles in popular films such as Happy Death Day and Ms. Marvel, she has garnered a significant following and recognition. As she continues to excel and take on new projects, her net worth is expected to steadily grow. This achievement showcases her talent, hard work, and business acumen in an industry that is constantly evolving.

Biography/Timeline

1978

The mask was constructed by Tony Gardner, the same man who built the "Ghostface" mask from every Scream film, and its design was personal. Landon explains, "During preproduction... I was expecting my first son. I don't know if I just had babies on the brain, or if I was subconsciously scared to become a father, but that baby image was floating around in my head. Tony made us a pig mask, too, but when I wore the baby mask in the office, I scared a co-worker, and we thought... yeah, this is it. This is the one." Scream itself was listed among the influences Christopher Landon took for the film, along with Halloween (1978), Groundhog Day and comedies of the 1980s such as Sixteen Candles and Back to the Future, given he aimed to make a "fun, silly horror movie". He also aimed to emulate the protagonist's personal growth in Groundhog Day to comment on "this age of social media and all the crappy things that kids do to each other."

2013

In the United States and Canada, Happy Death Day was released alongside Marshall, The Foreigner and Professor Marston and the Wonder Women, and was expected to gross $15–20 million from 3,130 theaters in its opening weekend. It made $1 million from Thursday night previews at 2,450 theaters, similar to fellow Blumhouse release The Visit ($1.05 million in 2015) and $11.6 million on its first day, increasing weekend projections to $26 million. It went on to debut to $26 million, topping the box office, making it the third Blumhouse Productions film of 2017 (after Split and Get Out) to do so. It fell 64% in its second weekend to $9.4 million, finishing in third behind newcomers Boo 2! A Madea Halloween and Geostorm.

2014

Critics noted that although the film makes laudatory attempts at merging genres—including romantic comedy, horror and "campus satire"—the end results were mixed. Jamie East from The Sun likened it to a "slasher Mean Girls," while Chris Agar of Screen Rant said that the "fun, if silly, blending of genre tropes...ends up being a double-edged sword."

2016

The film was first announced in July 2007, with Megan Fox attached to star. The film was originally titled Half to Death, produced by Michael Bay and Rogue Pictures, and directed by Antti Jokinen. Christopher B. Landon was hired to rewrite the Scott Lobdell script, and while he liked the reworked script the studio decided to not move on with it. The project was only revived years later, as original Producer Angela Mancuso had lunch with Landon and remembered about Half to Death. Landon decided to send the script to Jason Blum of Blumhouse Productions, with whom he had worked in the Paranormal Activity sequels, and he approved it, leading to a green-light by Universal Pictures. Blumhouse announced the project on October 11, 2016, with Landon directing and Jessica Rothe cast in the lead role of the film. On November 8, 2016, it was announced that Ruby Modine, Charles Aitken and Rachel Matthews had joined the cast, alongside Rothe and Israel Broussard. The film got eventually retitled Happy Death Day in June 2017.

2017

Theresa "Tree" Gelbman wakes up on her birthday on Monday, September 18, 2017 in the dorm room of classmate Carter Davis after a drunken binge the previous evening. Tree goes through the day being self-centered, dismissive, and condescending to her classmates and previous hook-ups, ignoring her father's invitation to a restaurant, throwing away a birthday cupcake given to her by her roommate Lori Spengler, and having an affair with Dr. Gregory Butler, her professor. That night, while going to a party, Tree is lured into a tunnel where she is brutally murdered by a hooded figure wearing a mask of the campus mascot.

2018

The film was released on digital HD on January 2, 2018 and was released on DVD and Blu-Ray on January 16, 2018. The home release features the original ending.

2019

Director Christopher B. Landon has talked about the possibility of a sequel, focusing on why Tree went into a time loop. Jessica Rothe stated that while most horror sequels retread the original, Landon's pitch instead "elevates the movie from being a horror movie into a Back to the Future type of genre film where the sequel joins us right from where we left off, it explains a lot of things in the first one that didn’t get explained, and it elevates everything." Filming is scheduled to begin in May 2018.

Some Rachel Matthews images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.