George Randolph Scott (January 23, 1898 – March 2, 1987) was an American film actor whose career spanned from 1928 to 1962. As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies, musicals (albeit in non-singing and non-dancing roles), adventure tales, war films, and a few horror and fantasy films. However, his most enduring image is that of the tall-in-the-saddle Western hero. Out of his more than 100 film appearances over 60 were in Westerns; thus, "of all the major stars whose name was associated with the Western, Scott most closely identified with it."

In April 1917, the United States entered World War I and shortly afterwards, Scott, then 19 years old, joined the United States Army. He served in France as an artillery observer with the 2nd Trench Mortar Battalion, 19th Field Artillery Regiment. His wartime experience gave him training that was put to use in his later film career, including horsemanship and the use of firearms.

After the Armistice brought World War I to an end, Scott stayed in France and enrolled in an artillery officers' school. Although he eventually received a commission, Scott decided to return to America and thus journeyed home around 1919.

Around 1927, Scott developed an interest in acting and decided to make his way to Los Angeles and seek a career in the motion picture industry. Fortunately, Scott's father had become acquainted with Howard Hughes and provided a letter of introduction for his son to present to the eccentric millionaire filmmaker. Hughes responded by getting Scott a small part in a George O'Brien film called Sharp Shooters (1928). Despite its title and the presence of O'Brien, Sharp Shooters is not a western, as some film historians claimed. Rather, it's a romantic comedy. A print of the film survives in the UCLA Film and Television Archive.

Scott was also uncredited on Dynamite (1929) directed by Cecil B. De Mille, and Born Reckless (1930).

In 1931 Scott played his first leading role (with Sally Blane) in Women Men Marry (1931), a film, now apparently lost, that was made by a Poverty Row studio called Headline Pictures.

Although Scott achieved fame as a motion picture actor, he managed to keep a fairly low profile with his private life. Offscreen he was good friends with Fred Astaire and Cary Grant. He met Grant on the set of Hot Saturday (1932), and shortly afterwards, to save on living expenses, they shared a beach house for 12 years in Malibu that became known as "Bachelor Hall". In 1944, Scott and Grant stopped living together but remained close friends throughout their lives.

Back at Paramount Scott did the Westerns Man of the Forest (1933) and To the Last Man (1933), both with Hathaway from Grey novels. He was loaned to Monogram Pictures for Broken Dreams (1933) then was back with Hathaway for The Last Round-Up (1934).

Scott did three more Zane Grey Westerns without Hathaway: Wagon Wheels (1934) directed by Charles Barton, Home on the Range (1935) from Arthur Jacobson, and Rocky Mountain Mystery (1935) with Barton.

Scott went back to Paramount for So Red the Rose (1935) with Margaret Sullavan, then was reunited with Astaire and Rogers at RKO in Follow the Fleet (1936). It was another big hit.

Scott married twice. In 1936, he became the second husband of heiress Marion duPont, daughter of william Du Pont, Sr., and great-granddaughter of Éleuthère Irénée Du Pont de Nemours, the founder of the E.I. du Pont de Nemours and Company. Marion had previously married George Somerville, with Scott serving as best man at the wedding. The Scotts' marriage ended in divorce three years later, in 1939. The union produced no children. Though divorced, she kept his last name nearly five decades, until her death in 1983.

Scott went to 20th Century Fox to play the romantic male lead in a Shirley Temple film, Rebecca of Sunnybrook Farm (1938). At Paramount he made a well budgeted Western The Texans (1938) with Joan Bennett then he starred in The Road to Reno (1938) at Universal.

Scott went to Columbia to star in a medium budget action film, Coast Guard (1939). Back at Fox he was in a war movie, 20,000 Men a Year (1939).

Scott went over to Warner Bros to make Virginia City (1940), billed third after Errol Flynn and Miriam Hopkins, playing Flynn's antagonist, a Confederate officer - but a sympathetic one, and not the actual villain (he was played by Humphrey Bogart). There were frequent disputes between Director Michael Curtiz, actors and Producer Hal Wallis about script changes. But Curtiz recalled that Scott tried to stay out of those arguments: "Randy Scott is a complete anachronism," said Curtiz. "He's a gentleman. And so far he's the only one I've met in this Business..." According to Nott, Curtiz and Scott got along well both personally and creatively, with Scott giving one of the top performances in his career.

In 1941, Scott also co-starred with a young Gene Tierney in another western, Belle Starr. After a spy film with Elisabeth Berger, Paris Calling (1941), he was in a hugely popular war film at Fox with John Payne and Maureen O'Hara, To the Shores of Tripoli (1942).

In 1942 and 1943, Scott appeared in several war films, notably To the Shores of Tripoli (1942) at Fox, Bombardier (1943) at RKO, the Canadian warship drama Corvette K-225 (1943) (produced by Howard Hawks), Gung Ho! at Universal and China Sky (1945) at RKO.

He also made The Desperadoes (1943), Columbia Pictures' first feature in Technicolor. The film was produced by Harry Joe Brown, with whom Scott would form a Business partnership several years later.

Despite his southern background at a time when the region was solidly Democratic in political affiliation, Randolph Scott was an active Republican. In 1944, he attended the massive rally organized by David O. Selznick in the Los Angeles Coliseum in support of the Dewey-Bricker ticket as well as Governor Earl Warren of California, who would become Dewey's running mate in 1948. The gathering drew 93,000, with Cecil B. DeMille as the master of ceremonies and short speeches by Hedda Hopper and Walt Disney. Among those in attendance were Ann Sothern, Ginger Rogers, Adolphe Menjou, and Gary Cooper. Despite the good turnout at the rally, most Hollywood celebrities who took a public position sided with the Roosevelt-Truman ticket.

Scott did two Westerns for Nat Holt at RKO, Badman's Territory (1946) and Trail Street (1947). He followed it with another pair for Holt at that studio, Return of the Bad Men (1948) at RKO and Canadian Pacific (1949), then they did Fighting Man of the Plains (1950) and The Cariboo Trail (1950) at Fox.

Scott renewed his acquaintance with Producer Harry Joe Brown at Columbia with Gunfighters (1947). They began producing many of Scott's Westerns, including several that were shot in the two-color Cinecolor process. Their collaboration resulted in the film Coroner Creek (1948) with Scott as a vengeance-driven cowpoke who "predates the Budd Boetticher/Burt Kennedy heroes by nearly a decade," and The Walking Hills (1949), a modern-day tale of gold Hunters directed by John Sturges.

They followed it with The Doolins of Oklahoma (1949), The Nevadan (1950), Santa Fe (1951), Man in the Saddle (1951), Hangman's Knot (1952), The Stranger Wore a Gun (1953) (shot in 3-D), Ten Wanted Men (1955), and A Lawless Street (1955) (with Angela Lansbury.)

Scott did Colt .45 (1950) at Warner Bros. where his salary was US$100,000 per picture (equal to $1,000,000 today). He stayed at the studio to do Sugarfoot (1951), Fort Worth (1951), Carson City (1952), The Man Behind the Gun (1953), Thunder Over the Plains (1953), Riding Shotgun (1954), Tall Man Riding (1955) Most of these were directed by André de Toth.

In 1955, Screenwriter Burt Kennedy wrote a script entitled Seven Men from Now which was scheduled to be filmed by John Wayne's Batjac Productions with Wayne as the film's star and Budd Boetticher as its Director. However, Wayne was already committed to John Ford's The Searchers. Wayne therefore suggested Scott as his replacement. The resulting film, released in 1956, did not make a great impact at the time but is now regarded by many as one of Scott's best, as well as the one that launched Scott and Boetticher into a successful collaboration that totaled seven films.

While there had been some rumors that they were a romantic couple, Scott's adopted son, Christopher, said the rumors were untrue. Budd Boetticher, who directed Scott in seven films from 1956 to 1960, said the rumors were "Bullshit".

The third in the series was Decision at Sundown (1957), although that script was not written by Kennedy. The unofficial series continued with Buchanan Rides Alone (1958).

Westbound (1959) is not considered part of the official cycle although Boetticher directed it. However the last two, both written by Kennedy, definitely were: Ride Lonesome (1959) and Comanche Station (1960)

Scott's face reportedly was used as the model for the Oakland Raiders logo in 1960; the logo was redesigned in 1963.

In 1962 Scott made his final film appearance in Ride the High Country, a film now regarded as a classic. It was directed by Sam Peckinpah and co-starred Joel McCrea, an actor who had a screen image similar to Scott's and who also from the mid-1940s on devoted his career almost exclusively to Westerns.

In Thomas Pynchon's 1963 book V., the character Profane watches an unspecified Randolph Scott film and compares himself unfavorably with his hero, whom he describes as "cool, imperturbable, keeping his trap shut and only talking when he had to – and then saying the right things and not running off haphazard and inefficient at the mouth".

He is caricatured in the Lucky Luke comic book album Le Vingtième de cavalerie (1965) as Colonel McStraggle.

Scott is the putative subject of the 1974 Statler Brothers song "Whatever Happened to Randolph Scott?", lamenting the passing of Western films.

In 1975, Scott was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma, United States. He also received an In Memoriam Golden Boot Award for his work in Westerns.

Scott died of heart and lung ailments in 1987 at the age of 89 in Beverly Hills, California. He was interred at Elmwood Cemetery in Charlotte, North Carolina. He and his wife Patricia had been married for 43 years. Patricia Stillman Scott died in 2004. The Scotts are buried together in the Elmwood Cemetery in Charlotte NC. Their mid-century modern home was torn down in 2008.

Scott is the subject of Guitarist Leo Kottke's song "Turning into Randolph Scott (Humid Child)" on his 1994 album Peculiaroso.

Scott went back to RKO to play the "other man" role in the Irene Dunne–Cary Grant romantic comedy My Favorite Wife (1940), a huge hit for RKO. For Universal, he starred with Kay Francis in When the Daltons Rode (1940).