Ricky Kelman
Actor

Ricky Kelman Net Worth

Ricky Kelman was born on July 06, 1950 in Los Angeles, California, USA and is best known as a child actor. He was brought to the public's attention at the age of ten by noted Hollywood gossip columnist, Louella Parsons. He was known for his recurring roles on The Dennis O'Keefe Show and Our Man Higgins series, as well as his role in the movie Critics Choice. He later attended law school and was licensed to practice law in California in 1977, retiring in 2007. He and his wife, Patricia Anne McCourt, have been prominent citizens in Camarillo, California for many years.
Ricky Kelman is a member of Actor

Age, Biography and Wiki

Who is it? Actor
Birth Day July 06, 1950
Birth Place  Los Angeles, California, United States
Age 72 YEARS OLD
Birth Sign Leo
Occupation Actor: The Dennis O'Keefe Show Our Man Higgins
Years active 1954 – 1974

💰 Net worth

Ricky Kelman, a well-known actor in the United States, is said to have an estimated net worth ranging from $100,000 to $1 million in the year 2024. With his incredible talent and versatility, Kelman has made a significant impact on the entertainment industry, garnering a large fan base and critical acclaim along the way. As he continues to showcase his abilities and take on new roles, his net worth is expected to grow even further, solidifying his status as a successful and influential figure in the world of acting.

Biography/Timeline

1947

His older brother, Terry Ross Kelman (born 1947), is a former child actor whose screen appearances occurred between 1954 and 1959, with his last work in two episodes of the NBC western series, Wagon Train, starring Ward Bond.

1954

Kelman's first appearances were in 1954 and 1955 as a choirboy on The Red Skelton Hour. He had an uncredited role in the 1955 film A Man Called Peter, based on the life of Peter Marshall, the Presbyterian pastor who was twice appointed chaplain of the U.S. Senate. In 1957, he portrayed Jimmy Logan in "Bentley and the Baby Sitter" on CBS's then new sitcom, Bachelor Father, with John Forsythe and Noreen Corcoran. In 1957, Kelman played "Elmer" in the final Ma and Pa Kettle film, The Kettles on Old MacDonald's Farm, the last screen role for Marjorie Main. Her co-star was Parker Fennelly, rather than Percy Kilbride.

1958

On January 2, 1958, Kelman was Norman Fisher in the episode "The Big Jade" of NBC's pioneering police drama, Dragnet, starring Jack Webb. From 1958 to 1959, young Kelman played Homer Foley in three episodes of the NBC children's western series, Buckskin, with Tommy Nolan and Sally Brophy, as a son and his widowed mother living in a hotel in a small fictitious Montana community. In 1958, Kelman appeared in "The Unfamiliar" on Ronald W. Reagan's CBS anthology series, General Electric Theater.

1959

Kelman appeared on CBS's Lassie in 1959 and twice in 1965. In 1965, he guest starred as well on the ABC sitcom The Farmer's Daughter, starring william Windom and Inger Stevens.

1960

In the 1960 season premiere of the ABC/Warner Brothers detective series, 77 Sunset Strip, the then 10-year-old Kelman appeared as Randolph in the episode "Attic", set in a remote mountain hideout. The episode stars Roger Smith as Jeff Spencer and features Kathleen Crowley, Cynthia Pepper, Lee Van Cleef, and Gary Vinson. He appeared in 1961 on NBC's Bonanza, with Lorne Greene, in the episodes "Many Faces of Gideon Flinch" and "The Infernal Machine."

1961

In 1961, Kelman was cast in conflicting roles as John and Oliver Hadley in the episodes "The Bully" and "The Sissy", respectively, of NBC's National Velvet family drama series, starring Lori Martin as the teenaged Equestrian Velvet Brown. On December 7, 1961, he was cast as "Butch" in the episode "The Fabulous O'Hara" of ABC's sitcom, The Donna Reed Show. In 1961 and 1962, he appeared twice on CBS's Gunsmoke with James Arness. In 1962, he played the youthful Alex in the episode "Young Man's Fancy" of CBS's The Twilight Zone, co-starring with Phyllis Thaxter.

1968

On November 29, 1968, Kelman was cast as Donny Clement in the episode "The Fatal Hours" of the ABC police drama Felony Squad, with Howard Duff and Dennis Cole. In 1969, he played an older teenager, Josh Odam, in the episode "Mexican Honeymoon" of CBS's My Three Sons sitcom with Fred MacMurray and Beverly Garland. Three years earlier, he appeared as Frankie Martin in MacMurray's film about the Boy Scouts of America, Follow Me, Boys!.

1969

On December 31, 1969, Kelman played Quincy Rust in the episode "The Adversaries" of CBS's Medical Center with James Daly and Chad Everett. The episode focuses on the competition between two interns. Audrey Totter, Kelman's co-star in Our Man Higgins, later joined the Medical Center cast but did not appear in this episode. In 1970, Kelman appeared twice on ABC's high school comedy-drama, Room 222, as Dennis Joplin in "The New Boy" and as Craig in "Captain of the Team". He was cast again with John Forsythe in his CBS sitcom, To Rome with Love.

1971

In 1971, he played Don Harper in "The Climate of Doubt" of the legal drama Men at Law, starring Robert Foxworth. In 1972, he played George Arbor in the episode "The Corruptor" on the ABC crime drama, The F.B.I. In 1972 and 1973, Kelman guest starred in episodes of CBS's Hawaii Five-O and Here's Lucy. In the latter comedy series, he played a 23-year-old "teenager" in the episode "Lucy and Andy Griffith." A decade earlier, Kelman had portrayed John Ballantine in the acclaimed Lucille Ball and Bob Hope film, Critic's Choice.

1973

Kelman's last acting appearances were in 1973 and 1974 in two episodes of the syndicated anthology series, Insight.

Some Ricky Kelman images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.