Robert Aldrich
Director

Robert Aldrich Net Worth

Robert Aldrich was a prolific American director, assistant director, and producer who began his career in 1941 as a production clerk at RKO Pictures. He quickly rose through the ranks, becoming an assistant director, production manager, and associate producer. In the early 1950s, he began writing and directing for TV series, and his first feature film was released in 1953. He then established his own production company and produced most of his own films, writing many of them. His most famous works include Kiss Me Deadly (1955), What Ever Happened to Baby Jane? (1962), and The Dirty Dozen (1967).
Robert Aldrich is a member of Director

Age, Biography and Wiki

Who is it? Director, Assistant Director, Producer
Birth Day August 09, 1918
Birth Place  Cranston, Rhode Island, United States
Age 102 YEARS OLD
Died On December 5, 1983(1983-12-05) (aged 65)\nLos Angeles, California
Birth Sign Virgo
Occupation Film director, film producer
Years active 1945–1981
Spouse(s) Harriet Foster (m. 1941–1965; divorced) Sibylle Siegfried (m. 1966–1983; his death)
Children 4

💰 Net worth: $250,000 (2024)

Robert Aldrich, a renowned figure in the American film industry, is estimated to have a net worth of $250,000 as of 2024. Recognized for his multifaceted roles as a director, assistant director, and producer, Aldrich has made notable contributions to the world of cinema. His artistic vision and expertise have shaped countless films, earning him a reputation as a distinguished professional in the United States. Despite his immense talent and success, Aldrich's estimated net worth indicates a humble financial standing compared to some of the industry's more affluent figures. Nonetheless, his invaluable contributions to the entertainment world continue to make an indelible impact.

Biography/Timeline

1940

Aldrich was born in Cranston, Rhode Island, the son of Lora Elsie (Lawson) and newspaper publisher Edward Burgess Aldrich. He was a grandson of U.S. Senator Nelson W. Aldrich and a cousin of U.S. Vice President Nelson Rockefeller. He was educated at the Moses Brown School in Providence, and studied economics at the University of Virginia where he also was a letterman on the 1940 football team.

1941

From his marriage to Harriet Foster (1941–1965), Aldrich had four children, all of whom work in the film business—Adell, william, Alida and Kelly. In 1966, after divorcing Harriet, he married fashion model Sibylle Siegfried.

1945

He quickly rose in film production as an assistant Director, and worked with Jean Renoir (in The Southerner (1945)), william A. Wellman (The Story of G.I. Joe (1945)), Abraham Polonsky, Robert Rossen, Joseph Losey, Max Ophüls (Caught (1949)), and Charlie Chaplin, with the latter as an assistant on Limelight.

1950

He became a television Director in the 1950s, directing his first feature film, Big Leaguer, for Metro-Goldwyn-Mayer in 1953.

1954

Aldrich had worked on crews for films starring Burt Lancaster and Lancaster hired him to direct Apache (1954). It was a big hit and Aldrich's next movie, also for Lancaster, Vera Cruz (1954), did even better.

1955

The success of these movies enabled Aldrich to turn Producer for his next movies. Kiss Me Deadly (1955) was a film noir based on a novel by Mickey Spillane. The Big Knife (1955) was based on a play by Clifford Odets.

1956

After directing Joan Crawford in a melodrama Autumn Leaves (1956), Aldrich adapted another play for his own company, Attack (1956).

1957

Aldrich worked on The Garment Jungle (1957), but was fired during filming. He was unable to get a job until he had an offer from Hammer Films and Seven Arts to make Ten Seconds to Hell (1959) in Germany. While there, he was head of the jury at the 9th Berlin International Film Festival. He stayed in Europe to make The Angry Hills (1959) for MGM in Greece.

1961

Back in Hollywood he did The Last Sunset (1961) then made a Biblical spectacular in Italy, Sodom and Gomorrah (1962) for Joseph E. Levine.

1962

Aldrich optioned the novel What Ever Happened to Baby Jane? (1962), and turned it into a film featuring Bette Davis and Joan Crawford as spiteful sisters and faded child-actresses. It was a massive hit and restored Aldrich's commercial reputation.

1963

He made a comic Western with Frank Sinatra and Dean Martin, 4 for Texas (1963), then did a follow up to Baby Jane, Hush… Hush, Sweet Charlotte (1964), with Bette Davis as a Southern woman who lives in a mansion and thinks she is going insane (both Joan Crawford and Davis were to appear, but Crawford left the film).

1965

He made the all-male action film The FLIGHT of the Phoenix (1965).

1967

Aldrich had his biggest hit to date with The Dirty Dozen (1967). The success of The Dirty Dozen allowed him to establish his own film production studio for some time.

1968

He made The Legend of Lylah Clare (1968), then The Killing of Sister George (1968). He produced but did not direct What Ever Happened to Aunt Alice? (1969).

1970

He produced and directed Too Late the Hero (1970) and The Grissom Gang (1971).

1972

He directed only Ulzana's Raid (1972) and Emperor of the North Pole (1973), both of which were box office disappointments.

1974

Aldrich's commercial fortunes were revived after he had two hits starring Burt Reynolds: The Longest Yard (1974) and Hustle (1975).

1977

He did a thriller Twilight's Last Gleaming (1977) and a comedy, The Choirboys (1977).

1979

His last movies were comedies, The Frisco Kid (1979) and ...All the Marbles (1981).

1983

Aldrich died of kidney failure on December 5, 1983 in a Los Angeles hospital.

2012

In 2012, John Patterson of The Guardian commented that Aldrich is "a wonderful Director nearly 30 years dead now, whose body of work is in danger of slipping over the horizon." Japanese film Director Kiyoshi Kurosawa noted Aldrich's influence on him.

Some Robert Aldrich images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.