Sally Menke
Editor

Sally Menke Net Worth

Sally Menke was an American editor, producer, and sound department born in Mineola, New York on December 17, 1953. She was best known for her work on the films Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), and Inglourious Basterds (2009). She was married to Dean Parisot and passed away on September 27, 2010 in Los Angeles, California.
Sally Menke is a member of Editor

Age, Biography and Wiki

Who is it? Editor, Producer, Sound Department
Birth Day December 17, 1953
Birth Place  Mineola, New York, United States
Age 67 YEARS OLD
Died On September 27, 2010(2010-09-27) (aged 56)\nBronson Canyon, Los Angeles, California, United States
Birth Sign Capricorn
Occupation Film editor
Years active 1980–2010
Spouse(s) Dean Parisot (m. 1986–2010; her death)
Children 2

💰 Net worth

Sally Menke, a highly esteemed figure in the film industry, is acknowledged for her unparalleled expertise as an editor, producer, and sound department professional in the United States. Her immense contributions to the world of cinema have not only garnered critical acclaim but have also had a significant impact on the success of numerous renowned films. As of 2024, Menke's net worth is estimated to be between $100K and $1M, a testament to her accomplishments and the invaluable role she plays in the filmmaking process. With her remarkable skills and wealth of experience, Menke is undeniably an influential force in the world of film.

Biography/Timeline

1977

Menke was born in Mineola, New York, the daughter of Charlotte, a Teacher, and Dr. Warren Wells Menke, a professor of management at Clemson University. Menke graduated from New York University's Tisch School of the Arts Film Program. She earned a Bachelor of Fine Arts in film in 1977.

1980

Menke's feature film credits as Editor are tabulated below. She has two additional credits for editing television documentaries: Hans Bethe: Prophet of Energy (1980) and The Congress (1988).

1986

Menke was married to Director Aldo L. "Dean" Parisot in 1986 and the couple had two children, Lucas and Isabella.

1990

Menke's early career saw her edit documentaries for CBS. She worked on many films in the 1990s, including Teenage Mutant Ninja Turtles, Heaven & Earth and Mulholland Falls.

2007

Menke met Quentin Tarantino when he held interviews for an Editor. Tarantino sent her the script for Reservoir Dogs and she said that she thought it was "amazing". Menke was hiking in Canada when she decided to call and see if she got the job and was told that she had been successful. Menke went on to work with Tarantino on everything he directed for the remainder of her life. Tarantino summarized their working relationship in 2007, saying that "The best collaborations are the director-editor teams, where they can finish each other's sentences" and that Menke was his "only, truly genuine collaborator".

2010

Menke had gone hiking the morning of September 27, 2010, with a friend and her dog. Menke's friend left her after an hour when she started to feel unwell in the heat. When Menke failed to come home, her friends alerted the police. Search dogs, a Los Angeles Police Department helicopter, and officers from patrol units spent hours in Griffith Park searching for her. Her locked car was found in a Griffith Park parking lot. Menke's body was found at the bottom of a ravine near 5600 block of Green Oak Drive on September 28, 2010. Her dog was found alive, sitting next to her body. The coroner's office later determined that Menke's death was heat-related. It was 113 °F (45 °C) in downtown Los Angeles the day she died.

2012

The Sundance Institute created a memorial fellowship in film editing to honor Menke. Tarantino's film Django Unchained (2012) was dedicated to her memory due to their long partnership.

Some Sally Menke images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.