Sarah Miles
Actress

Sarah Miles Net Worth

Sarah Miles is an English actress who rose to fame during the Swinging Sixties and early Seventies. Her most notable role was in the 1970 film Ryan's Daughter, for which she was nominated for an Oscar. Her career was marred by scandal when her manager died under mysterious circumstances during the shooting of The Man Who Loved Cat Dancing (1973). After appearing in a few more films, Miles divorced her husband and her career dropped off. She had one last burst of glory with Hope and Glory (1987) (1989) before retiring from acting.
Sarah Miles is a member of Actress

Age, Biography and Wiki

Who is it? Actress, Soundtrack
Birth Day December 31, 1941
Birth Place  Ingatestone, Essex, England, United Kingdom
Age 82 YEARS OLD
Birth Sign Capricorn
Occupation Actress
Years active 1961–2004
Spouse(s) Robert Bolt (1967–1975; divorced) (1988–1995; his death)
Children 1

💰 Net worth: $6 Million (2024)

Sarah Miles, the renowned British actress and talented soundtrack artist, is anticipated to hold a net worth of approximately $6 million by the year 2024. Her remarkable contributions to the entertainment industry have made her a well-regarded figure and a household name across the United Kingdom. With her incredible acting capabilities and mesmerizing vocal abilities, Sarah has captivated audiences with her performances on both the big screen and the stage. As she continues to augment her career, her net worth serves as a testament to her immense talent and enduring success.

Biography/Timeline

1870

Sarah Miles was born in the small town of Ingatestone, Essex, in South East England; her brother is film Director, Producer and Screenwriter Christopher Miles. Miles's parents were Clarice Vera Remnant and Frank Remnant. Through her maternal grandfather Francis Remnant, Miles claims to be the great-granddaughter of Prince Francis of Teck (1870–1910) and thus a second cousin once removed of Queen Elizabeth II.

1962

Unable to speak until the age of nine because of a stammer and dyslexia, she attended Roedean, and three other schools, but was expelled from all of them. Miles enrolled at the Royal Academy of Dramatic Art (RADA) at the age of 15. Shortly after finishing at RADA, Miles debuted as Shirley Taylor, a "husky wide-eyed nymphet" in Term of Trial (1962), which featured Laurence Olivier; she was nominated for the BAFTA Award for Best Newcomer.

1963

Soon afterwards, Miles had a role as "Vera from Manchester" in Joseph Losey's The Servant (1963), and "thrust sexual appetite into British films" according to David Thomson. She gained another BAFTA nomination, this time as Best Actress. She had a "peripheral" part in Michelangelo Antonioni's Blowup (1966). At Antonioni's death in 2007, she referred to him as "a rogue and a tyrant and a brilliant man".

1966

After acting in several plays from 1966 to 1969, Miles was cast as Rosy in the leading title role of David Lean's Ryan's Daughter (1970). It was critically savaged, which discouraged Lean from making a film for some years, despite Miles' performance gaining her an Oscar nomination and an Oscar win for John Mills, and the film making a substantial profit. In Terence Pettigrew's biography of Trevor Howard, Miles describes the filming of Ryan's Daughter in Ireland in 1969. She recalls, "My main memory is of sitting on a hilltop in a caravan at six in the morning in the rain. There was no other actor or member of the crew around me. I would sit there getting mad, waiting for either the rain to stop or someone to arrive. Film-acting is so horrifically belittling."

1967

Miles was married twice to the British Playwright Robert Bolt, 1967–1975 and 1988–1995. He wrote and directed the film Lady Caroline Lamb, in which Miles played the eponymous heroine, and wrote Ryan's Daughter as well. After his stroke, the couple reunited and Miles cared for him. "I would be dead without her", Bolt said in 1987, "When she's away, my life takes a nosedive. When she returns, my life soars." The couple had a son Tom, who is now a watch dealer.

1973

On 11 February 1973, while filming The Man Who Loved Cat Dancing, aspiring Screenwriter David Whiting, briefly one of her lovers, was found dead in her motel room. She was acquitted of culpability in his death. Miles later commented: "It went on for six months. Murder? Suicide? Murder! Suicide! Murder! Suicide! And, gradually, the truth came out, which I'm not going to speak about, but it certainly wasn't me. I had actually saved the man from three suicide attempts so why would I want to murder him? I really can't imagine."

1976

Her performance as Anne Osborne in The Sailor Who Fell from Grace with the Sea (1976) was nominated for a Golden Globe. Interviewer Lynn Barber wrote of Miles' appearances in Hope and Glory, White Mischief and her two earliest films that she "has that Vanessa Redgrave quality of seeming to have one skin fewer than normal people, so that the emotion comes over unmuffled and bare."

1987

Filming White Mischief on location in Kenya in 1987, Miles worked for the second and last time with Trevor Howard, who had a supporting role but was by then seriously ill from alcoholism. The company wanted to fire him, but Miles was determined that Howard's distinguished film career would not end that way. In an interview with Terence Pettigrew for his biography of Howard, she describes how she gave an ultimatum to the executives, threatening to quit the production if they got rid of him. The gamble worked. Howard was kept on. It was to be his last major film. He died the following January.

2008

She most recently (2008) appeared in Well at the Trafalgar Studios and the Apollo Theatre opposite Natalie Casey.

2012

Miles stated, in 2012, that she's been drinking her own urine for over 30 years, as she feels it improves her health in a variety of ways.

Some Sarah Miles images

About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.