Steve Alder
Actor

Steve Alder Net Worth

Steve Alder was an English actor born in Leyton, London in 1950. He was best known for his roles in The Professionals (1977), Spender (1991) and Minder (1979). He passed away in March 1997.
Steve Alder is a member of Actor

Age, Biography and Wiki

Who is it? Actor
Birth Year 1969
Birth Place  Leyton, London, England, United Kingdom
Age 54 YEARS OLD
Birth Sign Aquarius
Birth name Stephen John Anderson
Also known as Steve Anderson
Origin Southend, UK
Genres Pop
Occupation(s) Record producer, songwriter, musical director, arranger
Years active 1990–present
Labels Universal Publishing
Associated acts Brothers in Rhythm

💰 Net worth: $100K - $1M

Famous Quotes:

Finer Feelings came from someone at PWL loving what we were doing with Brothers In Rhythm, which up until then had been predominantly house music, so taking on a gorgeous mid tempo was quite a risk but of course we loved the song and just embellished what was there with a whole load of piano, strings and choir… On the original 1992 remix it was purely about making the rhythm section tougher and the orchestration more lush - everyone was influenced by Massive Attack then, so that’s where we were headed”

Biography/Timeline

1990

Steve Anderson began his musical career at DMC Studios as one half of remix/production team Brothers in Rhythm with Dave Seaman. They went on to work with artists including Michael Jackson, David Bowie, Janet Jackson, Sting and Paul McCartney. Anderson's role at DMC was initially as an apprentice or, as he described it, "tea-boy creating some mixes for their subscription service". Anderson's first remix for Kylie Minogue under the DMC label was her 1990 disco single "Step Back In Time".

1991

Though this remix was not officially serviced, it has been suggested that it later provided inspiration for the successful Harding/Curnow remix of the Rhythm of Love single. Further, it would lead to Anderson collaborating with Minogue on her ballad "Finer Feelings" in 1991. Recalling the important influence of the band Massive Attack's music at the time, Anderson stated in an interview:

1994

In 1994, the follow-up to Such a Good Feeling, Forever and a Day, was released in the U.K via Stress Records, with vocals from Charvoni, charting at number 51.

1997

After completing Impossible Princess for Minogue in 1997, Anderson continued to write with Minogue for the album that became Light Years. Recalling a sense of freedom during the early period of recording in 1999, Anderson states:

1998

Though its chart performance was somewhat lackluster, a key success of Kylie Minogue's Impossible Princess era was her live tour Intimate and Live in 1998. Performing to sell out shows in Australia and London, Minogue selected Anderson as its musical Director for all corresponding concerts. This relationship continues with Anderson providing essential arrangement production work for Kylie Minogue’s On a Night Like This tour (2001), KylieFever tour (2002), Money Can't Buy (2004), Showgirl: The Greatest Hits Tour (2005), Showgirl: The Homecoming Tour (2006-2007), KylieX2008 (2008-2009), For You, for Me (2009), Aphrodite: Les Folies Tour (2011), Anti Tour (2012), Kiss Me Once Tour (2014-2015) and A Kylie Christmas at the Royal Albert Hall (2015-2016). Outside his live work for Minogue, Anderson has scored the live arrangements for tours and shows by Westlife, Delta Goodrem, Leona Lewis and most recently Lush in October 2016. He has also scored notable radio and T.V shows including Live Lounge for Leona Lewis and Little Mix and An Audience With Kylie Minogue which featured a duet with Kermit the Frog.

2000

Released in 2000 through Parlophone and widely seen as Minogue's comeback album, Light Years features three songs composed by Anderson (So Now Goodbye, Butterfly and Bittersweet Goodbye). He also co-wrote Dancefloor and Give It To Me on the follow-up album Fever, which reached the number one slot in the UK, Australian, Austrian, German and Irish album charts and number 3 on the US Billboard 200.

2003

In 2003, he produced and co-wrote three songs for the Holly Valance album State of Mind, released on Warner Bros. Records. He also co-wrote and produced "Everything You Ever Wanted" for the English-Irish Pop Girl group Girls Aloud's debut album Sound of the Underground (Polydor / Universal International).

2007

In 2007, alongside working on the Showgirl tour, Anderson and others from Kylie Minogue's creative team, including Choreographer Ashley Wallen, vocal arranger Terry Ronald and creative Director william Baker, opened their re-worked version of Jonathan Larson's musical Rent, Rent: Remixed at London's Duke of York's Theatre. The show starred Luke Evans, and Siobhan Donaghy as Mimi. While the show's stripped down adaptation drew criticism, Sam Marlow, theatre critic for the Times, stated

2009

In 2009, he produced "Talk Me Down" for the Irish boy band Westlife's Where We Are album (S / RCA / Sony Music. He also collaborated with Australian singer Natalie Bassingthwaighte on the song "Supersensual" for her number 1 selling album 1000 Stars (Sony). He co-wrote and produced the song "Entre Nous et le Sol" for French singer Christophe Willem's album Caféine(Columbia Records / Sony Music, which was subsequently released as a single in 2010 with the English-language version of the album, Heartbox with the restored original title, State of Grace.

2010

The same creative team would reunite for several versions of The Hurly Burly Show, a Burlesque Revue playing at various West End theatres between 2010 and 2012, starring the British Neo-Burlesque performer Miss Polly Rae. The show was well received by Theatre critics, with The Daily Telegraph's Charles Spencer giving it a four-star rating, noting the quality of the show's musical numbers, while The Guardian's Michael Billington praised its slick direction.

2011

In 2011, he was reunited with Christophe Willem, producing his entire Prismophonic album for Columbia / Sony Music.

2012

In 2012, he also produced the English version of Willem's album, Love Shot Me Down. As part of Kylie Minogue's K25 celebrations, Anderson also produced The Abbey Road Sessions album, on which he co-wrote the single "Flower".

2013

In 2013 he produced Susan Boyle's Home for Christmas album. In 2014 he produced Boyle's next album, Hope.

2014

In 2014 it was announced that Anderson was working on a new musical based on the music of Minogue. In September 2015 Minogue herself confirmed that the musical had "momentum" once again, after being "in talks". A successful trademark registration by Minogue's family company from 2012 indicates that the musical's working title is Lucky: The Kylie Minogue Musical.

2015

In 2015 he produced songs on the Markus Feehily album Fire and numerous songs for Kylie Minogu]'s Christmas album, Kylie Christmas (Parlophone).

2016

In 2016 he wrote and produced Paola Iezzi's single "Lovenight". He also became heavily involved in the production, arrangement and release of new singer Harriet and her self-titled debut album (Brightstar Records). He also produced Boyle's Christmas album A Wonderful World (Syco), featuring covers of Madonna, Robbie Williams and ABBA songs. Anderson also produced Minogue's expanded re-release of her Christmas album, Kylie Christmas: Snow Queen edition.

2019

This led to production work for the Pet Shop Boys, Take That (including the No.1s Never Forget and Sure) and Minogue’s debut album for Deconstruction Records in 1994, including "Confide In Me" which he co-wrote and produced. Extensively collaborating with Dave Seaman, Brothers in Rhythm also had mainstream hits in their own right with Peace and Harmony (1990) and Such a Good Feeling (1991), the latter reaching number 1 in the Billboard Dance Club Songs charts. Peace and Harmony secured greater exposure when it re-appeared as the B-side to Such a Good Feeling.

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About the author

Lisa Scholfield

As a Senior Writer at Famous Net Worth, I spearhead an exceptional team dedicated to uncovering and sharing the stories of pioneering individuals. My passion for unearthing untold narratives drives me to delve deep into the essence of each subject, bringing forth a unique blend of factual accuracy and narrative allure. In orchestrating the editorial workflow, I am deeply involved in every step—from initial research to the final touches of publishing, ensuring each biography not only informs but also engages and inspires our readership.